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"Genius Within: The Inner Life of Glenn Gould" Screening Dates
"Genius Within: The Inner Life of Glenn Gould" will be playing nationwide at the following theaters:   9/24 - Laemmle Royal - Los Angeles 10/1 - Landmark Tivoli - St. Louis 10/1 - Landmark Chez Artiste - Denver 10/15 - Landmark Varsity - Seattle 10/27 - Cinema Arts Center - Huntington, NY 11/5 - Ritz @ The Bourse - Philadelphia 11/12 - Midtown Art Cinema - Atlanta Learn more at www.glenngouldmovie.com.
Genius Within: The Inner Life of Glenn Gould
Genius Within: The Inner Life of Glenn Gould. Directed by Michele Hozer and Peter Raymont.  Now Playing in Canadian Theatres Bravo! broadcast on March 29, 2010 "A must see film" - Variety “Genius Within is the most complete portrait yet of this complex artist.” - Peter Howell, Toronto Star Intimately revealing the man behind the myth, Genius Within: The Inner Life of Glenn Gould casts a fresh light on the mysterious artist whose ideas were as controversial, and his private life as passionate, as his music. The film features never-before seen footage of Gould, photographs and excerpts from his private home recordings and diaries, plus personal memories from Gould's most intimate friends and lovers, some who have never spoken about him publicly before. Click here for updates:  http://glenngouldmovie.com/ Confirmed Theatre Screenings -- More coming soon REGINA:  Public Library                                 Mar 12 – 14 HUDSON, QUE:  Cinema 10                         Mar 12 - 14 COLLINGWOOD    Gateway Cinemas        Mar 29 Glenn Gould Movie: http://glenngouldmovie.com/ Facebook: Facebook.com MySpace: http://www.myspace.com/glenngould_movie Twitter: http://twitter.com/glenngould_film
Glenn Gould Candid Portrait Available at Icon Collectibles
In 1980, Columbia Masterworks released the"Glenn Gould Silver Jubilee Album," a monumental double-albumcelebrating the artist's quarter century of the recording for thelabel. In June of that year, Don Hunstein sat with Gould for his firstphoto shoot with Gould in more than a decade. Here Hunstein capturesGould, notorious for his eccentric posture and oddly graceful physicalmovements while performing, literally defying gravity as he leansprecariously backwards in a director's chair, his body ready to springinto thin air as he pushes up on the ball of his right foot, one shoemysteriously absent. ICON-Collectibles, a unique website powered by SONY BMG which offers music fans from all over the world an opportunity to bid on extraordinary music memorabilia including museum quality fine art photographs of your favorite artists, is happy to make available six limited edition professionally printed photographs from the historic SONY BMG photo archives. Each print is individually created using premium fiber-based paper and includes a Certificate of Authenticity.

BIO

Glenn Gould was born in Toronto in 1932, and enjoyed a privileged, sheltered upbringing in the quiet Beach neighborhood. His musical gifts became apparent in infancy, and though his parents never pushed him to become a star prodigy, he became a professional concert pianist at age fifteen, and soon gained a national reputation. By his early twenties, he was also earning recognition through radio and television broadcasts, recordings, writings, lectures and compositions.

Early on, Gould's musical proclivities, piano style and independence of mind marked him as a maverick. Favoring structurally intricate music, he disdained the early-Romantic and impressionistic works at the core of the standard piano repertoire, preferring Elizabethan, Baroque, Classical, late-Romantic and early-twentieth-century music; Bach and Schoenberg were central to his aesthetic and repertoire. He was an intellectual performer, with a special gift for clarifying counterpoint and structure, but his playing was also deeply expressive and rhythmically dynamic. He had the technique and tonal palette of a virtuoso, though he upset many pianistic conventions - avoiding the sustaining pedal, using détaché articulation, for example. Believing that the performer's role was properly creative, he offered original, deeply personal, sometimes shocking interpretations (extreme tempos, odd dynamics, finicky phrasing), particularly in canonical works by Mozart, Beethoven and Brahms.

Gould's American début, in 1955, and the release, a year later, of his first Columbia recording, of Bach's Goldberg Variations, launched his international concert career. He earned widespread acclaim despite his musical idiosyncrasies, while his flamboyant stage mannerisms, as well as his hypochondria and other personal eccentricities, fuelled colorful publicity that heightened his celebrity. But he hated performing – "At concerts I feel demeaned, like a vaudevillian" – and though in great demand, he rationed his appearances stingily (he gave fewer than forty concerts overseas). Finally, in 1964, he permanently retired from concert life.

Gould harbored musical, temperamental and moral objections to concerts, and aired them publicly: "The purpose of art," he wrote, "is not the release of a momentary ejection of adrenalin but is, rather, the gradual, lifelong construction of a state of wonder and serenity." Even before he retired, he was not satisfied with being a concert pianist; he made radio and television programs, published writings on many musical and non-musical topics, continued to compose. After 1964, this work away from the piano only intensified. He liked to call himself "a Canadian writer, composer, and broadcaster who happens to play the piano in his spare time."

His retirement was also fuelled by his devotion to the electronic media. Gould was one of the first truly modern classical performers, for whom recording and broadcasting were not adjuncts to the concert hall but separate art forms that represented the future of music. He made scores of albums, steadily expanding his repertoire and developing a professional engineer's command of recording techniques. He also wrote prolifically about recording and the mass media, his ideas often harmonizing with those of his friend Marshall McLuhan.

Though he never became the significant composer that he longed to be, Gould channeled his creativity into other media. In 1967, he created his first "contrapuntal radio documentary," The Idea of North, an innovative tapestry of speaking voices, music and sound effects that drew on principles from documentary, drama, music and film. Over the next decade, he made six more such specimens of radio art, in addition to many other, more conventional, recitals and talk-and-play shows for radio and television. He also arranged music for two feature films.

Gould lived a quiet, solitary, spartan life, and guarded his privacy; his romantic relationships with women, for instance, were never made public. ("Isolation is the one sure way to human happiness.") He maintained a modest apartment and a small studio, and left Toronto only when work demanded it, or for an occasional rural holiday. He recorded in New York until 1970, when he began to record primarily at Eaton Auditorium in Toronto.

In the summer of 1982, having largely exhausted the piano literature that interested him, he made his first recording as a conductor, and he had ambitious plans for several years' worth of conducting projects; he planned then to give up performing, retire to the countryside, and devote himself to writing and composing. But shortly after his fiftieth birthday, Gould died suddenly of a stroke.

Since then, he has enjoyed a remarkable posthumous "life." His multifarious work has been widely disseminated. He has been the subject of an enormous and diverse literature in many languages. And he has inspired conferences, exhibitions, festivals, societies, radio and television programs, novels, plays, musical compositions, poems, visual art and a feature film (Thirty-Two Short Films About Glenn Gould).

Moreover, his ideas – like McLuhan's – still resonate strongly today in the world of digital technology, which was in its infancy when he died. His postmodernist advocacy of open borders between the roles of composer, performer and listener, for instance, anticipated digital technologies (like the Internet) that democratize and decentralize the institutions of culture. There is no question that Gould, more than any other classical musician, would have understood and admired digital technology – and would have had fun playing with it.

- Kevin Bazzana

TIMELINE

1932
• (September 25) Born Glenn Herbert Gold [sic] at home at 32 Southwood Drive, in Toronto's Beach neighborhood. (The family changes its surname to "Gould" around 1939.) His father is Russell Herbert (Bert) Gould (1901–1996), a prosperous furrier; his mother was born Florence Emma Greig (1891–1975); both are modest, decent people, devout members of the United Church, and amateur musicians. The two extended families – of English and Scottish ancestry – are based in nearby Uxbridge, ON, and Gould's parents own a cottage on Lake Simcoe, north of Toronto.

1935
• Gould's prodigious musical gifts, including perfect pitch, become apparent, and when he is 4 his mother becomes his first piano teacher.

1938
• (June 5 and 6) First documented public performances, at church events in Uxbridge; on the latter occasion, he plays some pieces of his own composition. He will make many other modest public appearances as a child, in local churches and schools, even in his own home.
• (August 30) First appearance in a music competition, at the Canadian National Exhibition.
• (Fall) Begins his first year of schooling at home, with private tutors.
• (December 4) Performs in a public revue, "Today's Children," sponsored by a toy company; its broadcast on the local station CFRB marks his radio début.
• Around age 6, attends his first concert – a recital by the pianist Josef Hofmann – and later says that the event made a "staggering impression" on him.

1939
(• June 4) First documented performance as a conductor, leading a song service at a church service in Uxbridge.
• (Fall) Begins Grade 2 at Williamson Road Public School.
• At age 7, begins attending concerts of the Toronto Symphony.

1940
• (February) Takes his first examination at the Toronto Conservatory of Music, in Grade 3 piano. (He continues to take examinations through Grade 10, in 1944.) Later, begins studying theory at the conservatory with Leo Smith (until 1947). Through the next decade, he will win medals and other honors from the conservatory, and perform often at its public functions.
• Around this time, his love of animals is manifested in one handwritten edition of The Daily Woof – The Animals Paper.

1941
• (December 18) Earliest surviving composition: A Merry Thought, for piano.

1942
• Begins organ lessons at the conservatory with Frederick C. Silvester (until 1949), and later credits playing the organ with influencing his piano style and encouraging his love of Bach and contrapuntal music. Takes organ examinations through 1946, and occasionally plays the organ in church and school events through 1948.

1943
• (March 25) Composes Our Gifts, for boys and girls' voices with piano, dedicated "to the Junior Red Cross throughout Canada."
• (Fall) Begins studying piano at the conservatory with the Chilean–born Alberto Guerrero (1886–1959), his only professional piano teacher and a significant (though rarely acknowledged) influence on his musical proclivities, repertoire, and piano style.

1944
• (February) Wins several prizes in the inaugural Kiwanis Music Festival, and later performs in public concerts of prize winners.

1945
• (February) Wins several prizes in the second annual Kiwanis Music Festival, and later performs in public concerts of prize winners (including a March 10 concert broadcast on CFRB).
• (June 15) Passes, with the highest honors, his piano examination for the conservatory's Associate diploma, which indicates a professional level of achievement.
• (September) Begins Grade 9 at Malvern Collegiate Institute.
• (November 29) Plays the first movement of Beethoven's Piano Concerto No. 4, with Guerrero accompanying on a second piano, in a conservatory concert.
• (December 12) Professional début as a performer, on the organ, in a program with two other young performers and a choir at Eaton Auditorium (he earns $15).
• Around this time, Gould's older cousin, Jessie Greig, moves into the house while studying for a year at a Toronto teacher's college; she becomes a surrogate sister to him, and they develop a lifelong friendship.

1946
• (February) Wins several prizes in the third annual Kiwanis Music Festival, and his performance in the "Stars of the Festival" concert at Massey Hall (February 27) earns some of his earliest significant reviews. Around this time, news of his musical gifts begins to circulate in the local press – and, soon, outside Toronto.
• (May 8) Orchestral début: first movement of Beethoven's Piano Concerto No. 4, with Ettore Mazzoleni conducting the Toronto Conservatory Symphony, in Massey Hall, as part of a conservatory concert.
• (June) Passes written theory examinations for the conservatory's Associate diploma.
• (October 2) Performs at the Art Gallery of Toronto as part of "Symphony Week."
• (October 28) Receives his Associate diploma, and performs at the conservatory's graduation exercises at the University of Toronto.

1947
• (January 14–15) Professional concerto début: Beethoven's Piano Concerto No. 4, with Bernard Heinze conducting the Toronto Symphony, in Massey Hall.
• (April 10) First full-length piano recital, at the conservatory, in a program of works by Haydn, Bach, Beethoven, Chopin, and Mendelssohn.
• (April 18) Attends the Massey Hall recital of Vladimir Horowitz, who exerts some influence on his repertoire and piano style around this time.
• (October 20) Professional recital début as a pianist, in Eaton Auditorium, in a program of works by Scarlatti, Beethoven, Couperin, Chopin, Liszt, and Mendelssohn (he earns $250). He is now managed by Walter Homburger, who will represent him through 1968.
• (November 16) Recital at the Art Gallery of Toronto.
• (December 3) First professional concert outside Toronto: Beethoven's Piano Concerto No. 1, in Hamilton, with Ernest MacMillan conducting the Toronto Symphony.
• Around this time, the Gould family acquires one of the earliest tape recorders, and Gould begins eagerly to explore the new technology and document his playing.

1948
• Attends the Toronto début of the American pianist and Bach specialist Rosalyn Tureck (1914–2003), who exerts a major influence on his Bach playing.
• (November 4) Recital for the Heliconian Club, Toronto.
• (September 13) Composes Rondo in D Major, for piano.
• (ca. 1948 to early 1950) Composes a piano sonata (unfinished).
• Around this time, through Guerrero, Gould makes the momentous discovery of the music of Schoenberg, and soon becomes a devoted, lifelong champion of the music of Schoenberg and his school.

1949
• A few Toronto recitals this year: one at Hart House (University of Toronto), two at the Art Gallery of Toronto, and one at Metropolitan Auditorium.
• (February) Composes and performs a suite of four pieces as an overture to a Malvern production of Twelfth Night.
• (April 12) Composes Variations in G minor, for piano (unfinished).
• (October 9) First public performance of a piece of twentieth-century music: Prokofiev's Sonata No. 7, in a recital at the Art Gallery of Toronto.

1950
• A few Toronto concerts this year: the conservatory, Hart House (University of Toronto), the Y.W.C.A. auditorium, Massey Hall, and the Canadian National Exhibition. Around this time, Bach becomes a significant part of his repertoire – and his public championship of both Bach and twentieth-century music will intensify through the early 1950s.
• (Early) Composes 5 Short Piano Pieces.
• (February 12) In a recital at Hart House, offers perhaps the first characteristically "Gouldian" program: Bach's Italian Concerto, Beethoven's "Eroica" Variations, and Hindemith's Third Sonata.
• (September) Composes Sonata for Bassoon and Piano.
• (October 6) Composes two twelve-tone pieces for organ (unfinished).
• (October 15) Composes a twelve-tone string trio (unfinished).
• (November 26) First solo recital outside Toronto: University of Western Ontario, in London.
• (December 24) CBC radio début, sonatas by Mozart and Hindemith. Over the next 30 years, he will make dozens of appearances on CBC radio – studio performances as well as broadcasts of concerts, in wide-ranging solo, chamber, and concerto repertoire, often with his own spoken commentary.

1951
• (January 4) Organizes an ambitious "Recital of Contemporary Music" at the conservatory, comprising works composed 1936–50 by Hindemith, Krenek, Morawetz (the première of his Fantasy in D), and himself.
• (January–May) Concerts with the Toronto Symphony and in Hamilton and St. Catherines, ON; his March 6 appearance with the symphony is in uncharacteristic Romantic repertoire, Weber's Konzertstück in F Minor.
• (May) Composes Prelude, Cantilena and Gigue, for clarinet and bassoon.
• (Spring) Finishes Grade 13, though does not complete all the necessary requirements to graduate formally from high school.
• Shortly after Schoenberg's death in July, delivers a commemorative lecture about him at the conservatory.
• (September–November) Composes Two Pieces, for piano.
• (October 28–29, November 7) First tour of Western Canada – concerts in Vancouver and Calgary.

1952
• This year, ends piano lessons with Guerrero. For the next few years, he spends an increasing amount of time living at his family's cottage, practicing, thinking, reading, composing, and generally preparing himself for an adult career as a musician.
• (February 10) Recital at Hart House (University of Toronto).
• (March–May) Composes Three Fugues on One Subject (only No. 2 survives).
• (Spring) Forms a legally registered company, New Music Associates, with his childhood neighbor and friend Robert Fulford, to present concerts.
• (August 30) Recital at the Canadian National Exhibition.
(September 8) CBC television début: performs a movement of a Beethoven concerto as part of the first telecast ever transmitted in English Canada. Over the next 25 years, he will make many television appearances for both the English and French arms of the CBC (and occasionally for networks outside Canada), in a wide-ranging repertoire and in conventional recitals as well as more original thematic programs with his own commentary.
• (October 4) "Schoenberg Memorial Concert," organized by New Music Associates, at the conservatory.
• (November 6) Montreal début recital, in a program – Gibbons, Bach, late Beethoven, late Brahms, Berg – that establishes the basic pattern of his recital repertoire.

1953
• (February 16) Ottawa début (recital).
• Other concerts this year in Kingston, Peterborough, and Toronto.
• (April) Begins composing a string quartet.
• (July 31, August 4 and 14) Appears in a piano-trio concert and two solo recitals at the inaugural Stratford Shakespearean Festival in Stratford, Ontario.
• (November 3) First commercial recordings: Berg's Sonata and three Russian works with the violinist Albert Pratz (Hallmark RS3, with his own liner notes).
• (November 23) First concert in Eastern Canada: recital in Saint John, NB.
• (December 17) Lecture at the conservatory on Schoenberg's Piano Concerto – his first significant piece of writing to survive.
• (December 21) CBC radio: Canadian première of Schoenberg's Piano Concerto, with Jean-Marie Beaudet conducting the CBC Symphony.

1954
• Around this time, discovers an 1895 Chickering baby-grand piano that a friend has been renting. He falls in love with the instrument, the action of which comes to represent an ideal for him. He takes over rental of the instrument and stores it at the family cottage (he purchases it outright in 1957); in the early 1960s, he moves it to his apartment in Toronto.
• Release of a Radio Canada International transcription disc (Programme 120): Bach's Partita No. 5 and Morawetz's Fantasy in D.
• (January 9) Concert organized by New Music Associates, at the conservatory, featuring works by Schoenberg, Berg, and Webern, and Gould's program essay, "A Consideration of Anton Webern."
• Other concerts this year in Montreal, Brantford, and Toronto.
• (June) CBC radio: first public performance of Bach's Goldberg Variations.
• (July 18) CBC television (Summer Festivals): performs Beethoven chamber music with the violinist Alexander Schneider and the cellist Zara Nelsova, in a broadcast from the Stratford Festival.
• (October 16) All-Bach concert organized by New Music Associates, at the conservatory, including his first concert performance of the Goldberg Variations.
• (November 15) Winnipeg début (recital).
• (December 14–15) Montreal Symphony début: Beethoven's Piano Concerto No. 1, including the première his own cadenzas for the first and third movements.
• (December 16) Radio-Canada television (L'Heure du concert): first movement of Beethoven's Piano Concerto No. 1, including his own cadenza, with Paul Scherman conducting the CBC Symphony Orchestra – the earliest surviving footage of Gould in performance.

1955
• (January 2) American début recital, at the Phillips Gallery in Washington, DC, in a program of works by Sweelinck, Gibbons, Bach, Webern, Beethoven, and Berg.
• (January 11) New York début, at Town Hall, in the same program. The following morning, he is offered a contract to record for the Masterworks division of Columbia Records; he signs in the spring, and remains exclusive to the label for the rest of his life.
• Concerts this year in Ottawa, Toronto, Montreal, Sherbrooke, Victoria, and Edmonton.
• (June 6–16) Makes his first Masterworks recording, at Columbia's 30th Street studio in New York: Bach's Goldberg Variations.
• (July 12 and 29) Appears at the Stratford Festival.
• (October 8) Finishes composing his String Quartet, his only major work.
• (October 19) CBC radio: appears in a tribute to the recently deceased Thomas Mann, and performs Beethoven's Op. 111 sonata.

1956
• (Early) Claims to be at work on an opera based on Kafka's "The Metamorphosis," but it is never finished, and no music for it survives.
• (January) First Columbia Masterworks album, of the Goldberg Variations, is released to almost universal critical and popular acclaim, launching his international career as a recording and concert artist. His liner notes on the back cover also marks his international début as a writer. (All albums below marked with an asterisk included his own liner notes.)
• (March 12) "Music World's Young Wonder," photo-essay by Gordon Parks in Life.
• (March 15) American concerto début, with the Detroit Symphony Orchestra. From now on, his tours will include recital and concerto dates throughout the U.S. in addition to Canada.
• (March–May) Concerts in Windsor, Hamilton, and at a meeting of "The Bohemians" at the Harvard Club, in New York. The day after his triumphant recital in Massey Hall, on April 16, the mayor of Toronto presents him with an engraved wristwatch at City Hall "in recognition of his phenomenal achievements in the musical world as a concert pianist and composer."
• (April 13) CBC television (Graphic): interview.
• (April 25) CBC radio: interview with Eric McLean.
• (April 28) First major magazine profile: "The Genius Who Doesn't Want to Play," by Gladys Shenner, in Maclean's, with photographs by Paul Rockett.
• (May 21) Radio-Canada radio (Premières): first performance of his String Quartet, by the Montreal String Quartet.
• (July 7) "'I Don't Think I'm at All Eccentric,' Says Glenn Gould," by Jock Carroll, in Weekend Magazine [Toronto Telegram].
• (July 9) Organizes a mixed program of mostly twentieth-century music at the Stratford Festival, including the concert première of his String Quartet.
• (September) Columbia Masterworks album: Beethoven, Sonatas Opp. 109–111.*
• (Fall) First published article, "The Dodecacophonist's Dilemma," in the inaugural issue of the Canadian Music Journal. He will contribute to other major Canadian periodicals over the years, including Saturday Night, The Canadian, the Varsity Graduate, the Canada Music Book, and several Toronto newspapers, on a wide variety of topics.
• (Fall) String Quartet published by am-ca (later Barger and Barclay) in Great Neck, NY. Around the same time, Radio Canada International releases a transcription disc of the piece (Programme 142), with the Montreal String Quartet.
• (October–December) Concerts in Mount Lebanon, PA, Watertown, CT, Toronto, Montreal, Delaware, OH, New York (Metropolitan Museum), Dallas, Niagara Falls, Hamilton, Spokane, Vancouver, Winnipeg, and St. Louis.

1957
• Release this year of his third and last Radio Canada International transcription disc (Programme 140): Brahms's Piano Quintet, with the Montreal String Quartet.
• (January 26–27) New York Philharmonic début, in Carnegie Hall, with Leonard Bernstein conducting, in Beethoven's Concerto No. 2.
• (January–March) Concerts in Burlington, VT, Quebec City, Brockville, ON, San Francisco, Pasadena, and Victoria.
• (March 28 and 30) Cleveland Orchestra début, with George Szell conducting, in Beethoven's Concerto No. 2.
• (February 20) CBC television (Chrysler Festival): performs part of Bach's Partita No. 5 and conducts the contralto Maureen Forrester in "Urlicht" from Mahler's Symphony No. 2.
• Two-week tour of the Soviet Union, where he is the first North American pianist to appear since the death of Stalin: three scheduled concerts in Moscow (May 7, 8, and 11), three in Leningrad (May 14, 16, and 18), and unscheduled lecture-recitals on the music of the Second Viennese School at the conservatories in both cities (May 12 and 19).
• (May 24–26) Berlin Philharmonic début, with Herbert von Karajan conducting, in Beethoven's Concerto No. 3.
• (early June) CBC radio: interview with Ted Viets, in Vienna.
• (June 7) Recital at the Vienna Festival.
• (June 23) CBC television (Newsmag): "Return of a Prodigy," interview conducted at the family cottage on Lake Simcoe.
• (August–December) Concerts in Montreal, Toronto, Washington, Syracuse, Rochester, Pittsburgh, Cincinnati, New York, and Miami.
• (September 26) CBC radio: conducts the CBC Vancouver Orchestra in Mozart's Symphony No. 1 and Schubert's Symphony No. 4.
• (October) Columbia Masterworks album: Bach, Concerto No. 1, and Beethoven, Concerto No. 2, with Leonard Bernstein conducting the Columbia Symphony.*
• (December) Columbia Masterworks album: Bach, Partitas Nos. 5 and 6, and Fugues 9 and 14 from Book 2 of The Well-Tempered Clavier.
• (ca. 1957–59) Composes a sonata for clarinet and piano (unfinished).

1958
• (January–May) Concerts in Philadelphia, New Orleans, Buffalo, Kingston, Winnipeg, Saskatoon, Vancouver, Tacoma, New York, Boston, Montreal, Lexington, Ottawa, Ann Arbor, and Toronto.
• (July) Columbia Masterworks album: Haydn, Sonata No. 59; Mozart, Sonata K. 330 and Fantasia and Fugue K. 394.
• (July 15) CBC radio (Assignment): interview with Hugh Thomson.
• (July 23, 27, and 30) Appears at the inaugural Vancouver International Festival.
• (August 10–October 9) Tour of Western Europe: Salzburg, Brussels, West Berlin, Sweden (one concert, four radio recitals), and Wiesbaden.
• (October) Columbia Masterworks album: Bach, Concerto No. 5, and Beethoven, Concerto No. 1, with Vladimir Golschmann conducting the Columbia Symphony.*
• (Mid-October to mid-November) Illness forces him to cancel several performances and hole up at the Hotel Vier Jahreszeiten in Hamburg.
• (November 15–December 17) Tour resumes: Florence, Turin, Rome, and (despite further illness) Israel, where he gives 11 concerts in 18 days.
• (December 1957 through April 1958) Concerts in Detroit, Minneapolis, Houston, Pasadena, San Francisco, St. Louis, Edmonton, Calgary, New York, Salt Lake City, Buffalo, Washington, Oberlin, Boston, Quebec City, Montreal, Toronto, Birmingham, Knoxville, and Columbia.

1959
• This year, Gould finally moves out of his parents' house, at first into the Windsor Arms Hotel.
• (January) Columbia Masterworks album: Berg, Sonata; Krenek, Sonata No. 3; and Schoenberg, 3 Piano Pieces, Op. 11.*
• (February) Receives the Harriet Cohen Bach medal (London).
• (March 28) "'I'm a child of nature' – Glenn Gould," interview with Dennis Braithwaite, Toronto Daily Star.
• (May 16–June 1) Recital in West Berlin and a cycle of the concertos at a Beethoven festival in London, with Josef Krips conducting the London Symphony (cancels the last concert – the "Emperor" – owing to illness).
• (Summer) Filming, at Lake Simcoe and in New York, of two documentaries for the National Film Board of Canada: Glenn Gould: Off the Record and Glenn Gould: On the Record (released 1960).
• (August 17–31) Returns to Western Europe, though again hampered by illness: tapes two recitals for the BBC in London, and gives concerts at festivals in Salzburg and Lucerne; the latter (Bach's D-minor concerto, with Herbert von Karajan conducting the Philharmonia Orchestra) is his last public performance outside North America.
• (October–December) Concerts in Winnipeg, Ann Arbor, London, ON, Berkeley, Denver, San Francisco, Atlanta, Rock Hill, SC, Cincinnati, Bloomington, Cleveland, Oklahoma City, and Syracuse.
• (ca. October 25) KPFA radio (Berkeley): interview with Alan Rich.
• (November 26–28) Performs two concertos (Schoenberg, Bach) with the Cleveland Orchestra, contributes a long program essay on Schoenberg, delivers a lecture to the orchestra's women's committee, and offers the American début of his String Quartet – impressing everyone with the range of his talents. • (December) Briefly leases a mansion, Donchery, outside Toronto.
• (December 4) CBC radio (Project 60): "At Home with Glenn Gould," interview with Vincent Tovell.
• (December 8) While visiting the offices of the Steinway & Sons piano firm in New York, Gould is greeted by a piano turner William Hupfer, and later claims that Hupfer injured his left shoulder. Problems with his left shoulder, arm, hand, and fingers persist – so he claims – and result in many medical tests and treatments; he cancels some concerts and recording sessions in 1960 (including a European tour in February), though is back to his regular schedule by fall. On December 6, 1960, he sues Steinway for $300,000. The case is settled out of court on November 9, 1961, with Gould demanding only about $9,000 for medical and legal expenses.
• (ca. 1959–64) Composes a song cycle for mezzo-soprano based on the Holy Sonnets of John Donne (unfinished).

1960
• Spends the first half of the year living at the Algiers Apartments, on Avenue Road, then moves into a penthouse (No. 902) at Park Lane Apartments, 100 St. Clair Avenue West – his home for the rest of his life. This same year, he incorporates a private company to represent his artistic ventures, Glenn Gould Limited, with initial capital of $40,000. By this time, his concert fees are among the highest in the business, and he has become an astute player of the stock market.
• (January) Columbia Masterworks album: Beethoven, Concerto No. 3, with Leonard Bernstein conducting the Columbia Symphony.
• (January 31) American television début (CBS, Ford Presents), as part of the program "The Creative Performer," performing the first movement of Bach's D-minor concerto, with Leonard Bernstein conducting the New York Philharmonic.
• (March–April) Concerts in Baltimore, Toledo, Cleveland, Victoria, Washington, Rochester, and Montreal.
• (May 14) "Apollonian," profile by Joseph Roddy, in The New Yorker.
• (June) Discovers a Steinway grand piano designated "CD 318," and finds it ideal for his purposes. Steinway gives it over to his exclusive use, and most of his recordings from 1960–81 are made on it. Over the years, he modifies its action and tone to suit his particular style and repertoire.
• (July) Columbia Masterworks album: Bach, Partitas Nos. 1 and 2, and Italian Concerto.
• (July 24, August 7) Appears in all-Bach and all-Beethoven concerts as an artist-in-residence at the Stratford Festival.
• (July 27, July 29, August 2) Appears at the Vancouver International Festival; the third concert is an all-Schoenberg lecture-recital.
• (October–December) Concerts in New Haven, Detroit, Buffalo, Cincinnati, Akron, and Minneapolis. (A major tour of Australia planned for this fall is cancelled.)
• (December 6–7) Canadian concert première of Schoenberg's Piano Concerto, with Walter Susskind conducting the Toronto Symphony.
• (November) Columbia Masterworks album: Gould's String Quartet, with the Symphonia String Quartet.*
• (November 26) First published book review, and first article published in the U.S.: "Bodky on Bach," in Saturday Review. He will contribute articles and reviews to other major American periodicals over the next 20 years, including The New Republic, Saturday Review, The New York Times, and Look, on a wide variety of topics.
• (ca. 1960–64) Composes an opera, to his own libretto, with a central character loosely based on Richard Strauss (unfinished, and very little music survives).

1961
• (January–May) Concerts in Denver, St. Louis (cycle of Beethoven's concertos), Houston, Tulsa, Minneapolis, Boston, New York, Miami, Atlanta, Montreal, Los Angeles, and Cleveland.
• (February 6) CBC television (Festival 61): The Subject is Beethoven – first thematic special for television in which he appears as both performer and commentator.
• (June) Columbia Masterworks album: Brahms, 10 intermezzi.
• (July 16 and 23, August 13) Appears in all-Brahms, all-Strauss, and all-Bach concerts at the Stratford Festival, as one of three co-directors of music (with the violinist Oscar Shumsky and the cellist Leonard Rose).
• (August 7, 9, and 17): Appears at the Vancouver International Festival, in a lecture-recital before an audience of children, an all-Bach concert, and a performance of Brahms's D-minor concerto with Zubin Mehta conducting.
• (October–November) Concerts in White Plains, NY, Madison, Boston, Cincinnati, and Minneapolis.
• (November) Columbia Masterworks album: Beethoven, Concerto No. 4, with Leonard Bernstein conducting the New York Philharmonic.
• (ca. late 1961 to 1964) Composes a concert aria for soprano and orchestra, A Letter from Stalingrad, based on letters supposedly written by German soldiers during the 1943 siege of Stalingrad and first published in the fall of 1961 (unfinished).

1962
• This year, meets Cornelia Foss, a painter and the wife of Lukas Foss, a composer and pianist Gould greatly admires. He befriends the couple, but by 1964 his friendship with Cornelia has evolved into the most important romance of his life.
• (January) Interview with Bernard Asbell, in Horizon.
• (January–April) Concerts in Baltimore, Oakland, Berkeley, Winnipeg, Portland, OR, Cleveland, New York, Toledo, Columbus, Chicago, Lexington, South Bend.
• (January 14) CBC television (Sunday Concert): Music in the U.S.S.R., with Gould as performer and commentator.
• (February) "Let's Ban Applause!" – the first of more than 15 articles and reviews he will publish in High Fidelity/Musical America over the next 14 years.
• (March 13) CBC television: 10 Minutes with Glenn Gould, interview with Vincent Tovell.
• (April 5, 6, and 8) Performs Brahms's D-minor concerto with the New York Philharmonic. His performance, and the conductor Leonard Bernstein's pre-concert speech alluding to their differences over interpretation, provoke criticism in the press.
• (April 8) CBC television (Sunday Concert): Glenn Gould on Bach, with Gould as performer and commentator.
• (May) Columbia Masterworks album: Strauss, Enoch Arden, with Claude Rains, speaker.*
• (June) Columbia Masterworks album: Bach, The Art of Fugue, Vol. 1 (Contrapunctus 1–9), on the organ. (Gould never records Vol. 2.)
• (July) Columbia Masterworks album: Mozart's Concerto K. 491, with Walter Susskind conducting, and Schoenberg's Piano Concerto, with Robert Craft conducting, both with the CBC Symphony.*
• (July 8 and 29, August 5 and 10) Again as one of the co-directors of the Stratford Festival, appears in all-Bach, all-Hindemith, and all-Mendelssohn concerts, and serves as performer and commentator in a bizarre, controversial "Panorama of Music of the '20s"; also organizes and writes program notes for a concert on July 13, "The Schoenberg Heritage."
• (August 8) CBC radio (CBC Wednesday Night): Arnold Schoenberg: The Man Who Changed Music – Gould's first radio documentary.
• (October 9–10) Performs the Brahms D-minor concerto in Baltimore, this time explaining his interpretation in a program essay, "N'Aimez-vous pas Brahms?"
• (October 15) CBC television (Festival): Richard Strauss: A Personal View, with Gould as performer and commentator.
• (October–November) Concerts in Atlanta, Detroit, Cincinnati, Kansas City, and Louiseville. Around this time, he stops flying and agrees to travel only by car or train.
• (December 1) "The Odd, Restless Way of Glenn Gould," interview with Betty Lee, in The Globe Magazine.

1963
• (February–April) Concerts in San Francisco, Denver, and Rochester.
• (March) Columbia Masterworks album: Bach, The Well-Tempered Clavier, Book 1, Nos. 1–8.
• (March 4) CBC television (Festival): The Anatomy of the Fugue, with Gould as performer and commentator. As a "finale" for this program, composes So You Want to Write a Fugue?, a short, humorous piece for four voices and string quartet (published by Schirmer in 1964).
• (April 22) Delivers one of the inaugural Corbett Music Lectures at the University of Cincinnati: "Arnold Schoenberg: A Perspective." The text is published as a short monograph by the university's press in 1964 – the only book by Gould published in his lifetime.
• (May 22) Delivers a lecture at a Kiwanis Club meeting in Toronto: "Music in the U.S.S.R."
• (July 2, 9, and 16) Delivers, on short notice, the inaugural MacMillan Lectures at the University of Toronto: "Forgery and Imitation in the Creative Process" "A Perspective on Arnold Schoenberg"; and "Music in the U.S.S.R."
• (July 7 and 28) Again as one of the co-directors of the Stratford Festival, appears in all-Bach and all-Russian concerts; also organizes and writes program notes for a July 21 concert of music by Schoenberg and Strauss.
• (July 18) Delivers "Forgery and Imitation in the Creative Process" again, at McMaster University in Hamilton, ON.
• (October 26) Recital in Detroit.
• (November) Columbia Masterworks album: Bach, Partitas Nos. 3 and 4, and Toccata in E Minor.
• (November) Columbia Masterworks album: Bach, 6 Partitas (re-releases).*

1964
• (March 29) Recital in Chicago.
• (January) Columbia Masterworks album: Bach, The Well-Tempered Clavier, Book 1, Nos. 9–16.
• (January 31, March 3) Delivers a two-part lecture, "The History of the Piano Sonata," at Hunter College, New York (repeated February 2, March 8 at the Gardner Museum, Boston).
• (April) "The Zany Genius of Glenn Gould," profile by Alfred Bester, in Holiday.
• (April) "The Music of Proteus: Being Some Notes on the Subjective Character of Fugal Form," in HiFi/Stereo Review, accompanied by an inserted recording of So You Want to Write a Fugue?.
• (April 10) Last public concert: recital at Wilshire Ebell Theater in Los Angeles. He has a litany of musical, temperamental, and moral objections to the concert hall, which he airs publicly in interviews, articles, and broadcasts for the rest of his life.
• (Spring) Composes a humorous madrigal for four voices with piano, for a testimonial dinner in New York honoring the Columbia Records executive Goddard Lieberson; makes a private recording of the piece on July 3.
• (June 1) Receives an honorary Doctor of Laws degree from the University of Toronto, and delivers the convocation address, "An Argument for Music in the Electronic Age" (published in December in the Varsity Graduate).
• (June 3) CBC television (Festival): Concerti for Four Wednesdays, Program No. 1, "Anthology of Variation," with Gould as performer and commentator.
• (August) Columbia Masterworks album: Bach, Two- and Three-Part Inventions.* • (October 9) Delivers one of the Corbett Music Lectures at the University of Cincinnati: "The Music of Russia."
• (November 11) Last public lecture: an address to the graduating class of the Royal Conservatory of Music of Toronto, at Convocation Hall, University of Toronto (published in the Christmas issue of the conservatory's Bulletin).
• (November 27) Recorded Interview with Pat Moore, for the Russian Section of the CBC's International Service (broadcast in Moscow early in 1965).

1965
• Gould's friend John P. L. Roberts becomes supervisor of music for the English Service of the CBC, and encourages Gould to do more – and more adventurous – work for radio. He also sets Gould up with a makeshift office at the CBC building. Around this same time, begins renting studio space at Film House, evidence that he is increasingly taking hands-on control of his recording and broadcasting projects.
• (January 10) CBC radio (CBC Sunday Night): Dialogues on the Prospects of Recordings, documentary. A revised version of the text, published as "The Prospects of Recording" in High Fidelity (April 1966), is his magnum opus on the subject of recording.
• (March, August, and December) Contributes three articles to High Fidelity/Musical America under the pseudonym "Herbert von Hochmeister."
• (April) Columbia Masterworks album: Beethoven, Sonatas Op. 10/Nos. 1–3.
• (June) Travels by train from Winnipeg to Churchill, MB, inspired by his lifelong love of the Canadian North. (A desire to mine that experience creatively will yield, in 1967, his first experiment in a new kind of radio art.)
• (June 10–11) Makes his first recordings (Schoenberg songs) under producer Andrew Kazdin, with whom he will work for almost 15 years.
• (December) Columbia Masterworks album: Bach, The Well-Tempered Clavier, Book 1, Nos. 17–24.

1966
• (March 15 and 22, April 5 and 19) CBC-BBC television series: Conversations with Glenn Gould (on Bach, Beethoven, Strauss, and Schoenberg), with Humphrey Burton.
• (April) Columbia Masterworks album: Beethoven, Concerto No. 5 ("Emperor"), with Leopold Stokowski conducting the American Symphony.
• (April) Columbia Masterworks album: Schoenberg: The Complete Music for Solo Piano.*
• (May 18) CBC television (Festival): Duo, with the violinist Yehudi Menuhin, including conversations between the two.
• (June) Columbia Masterworks album: Schoenberg: Complete Songs for Voice and Piano, Vol. 1, with Donald Gramm, bass-baritone, Ellen Faull, soprano, and Helen Vanni, mezzo-soprano.
• (November 9) CBC television (Intertel): "The Culture Explosion," interview with Alex Trebek.
• (November 13, through April 30, 1967) CBC radio: The Art of Glenn Gould, 24-part weekly series mostly devoted to his discography. The first installment, "On Records and Recordings," is one of his seminal statements on the subject, and the April 2 program includes his public début as a humorist: "Conference at Port Chilkoot," a spoof of a music critics' gathering.
• (November 23) CBC radio (Ideas): "The Psychology of Improvisation," documentary.

1967
• (April) Columbia Masterworks album: Beethoven, Sonatas Opp. 13 (Pathétique) and 14/Nos. 1 and 2.
• (July 1) Receives the federal government's Canadian Confederation Medal.
• (August) Columbia Masterworks album: Bach, Concertos, Vol. 1 (Nos. 3, 5 and 7) with Vladimir Golschmann conducting the Columbia Symphony.
• (November) Columbia Masterworks album: Canadian Music in the 20th Century (Morawetz, Fantasy in D; Anhalt, Fantasia; and Hétu, Variations pour piano).* (A fourth recording – Pentland, Shadows/Ombres – is released posthumously, 1992.)
• (November) "The Glenn Gould Variations," profile by Richard Kostelanetz, in Esquire.
• (November) "The Search for Petula Clark," in High Fidelity/Musical America. The text becomes the basis for an innovative CBC radio documentary (December 11, The Best of Ideas).
• (November 15) CBC television (Centennial Performance): Bach, Concerto No. 7, and Strauss, Burleske, with Vladimir Golschmann conducting the Toronto Symphony – Gould's first color telecast.
• (December) Columbia Masterworks album: Schoenberg, Phantasy for Violin and Piano, with Israel Baker.
• (December) Columbia Masterworks album: Schoenberg, Ode to Napoleon Buonaparte, with John Horton, narrator, and the Juilliard String Quartet.
• (December 28) CBC radio (Ideas): The Idea of North, Gould's first "contrapuntal radio documentary," and the first installment in his "Solitude Trilogy." (Released as a CBC Learning Systems LP, 1971.)

1968
• Around this time, Cornelia Foss, whom Gould wants to marry, moves to Toronto with her two children to be with him; she eventually takes her own house near his apartment, and their relationship comes as close to domestic as any in his life.
• (February 4 to March 17) CBC television (The World of Music): serves as host and commentator for 6 programs.
• (February 5–6) Records Beethoven's Sonata Op. 78 (released posthumously, 1993).
• (April) Columbia Masterworks album: Beethoven-Liszt, Symphony No. 5.*
• (April) Columbia Masterworks bonus album: Glenn Gould: Concert Dropout, recorded interview with John McClure.
• (April) Columbia Masterworks album: Mozart, Sonatas, Vol. 1: K. 279–283.
• (April) Columbia Masterworks album: Bach, The Well-Tempered Clavier, Book 2, Nos. 1–8.
• (April 1) Severs his business relationship with Walter Homburger, and becomes a client of Ronald Wilford at Columbia Artists Management Incorporated (cami), in New York.
• (April 28) NET (U.S. public television) broadcast (PBL): How Mozart Became a Bad Composer, with Gould as performer and commentator.
• (May 20) CBC radio (Ideas): Anti Alea: A Study in Objections, documentary.
• (November 10) CBC radio: discusses the Moog Synthesizer and other topics on Sunday Supplement, a news and public-affairs show. (Moog segment released as a CBC Learning Systems cassette, 1972.)

1969
• A soundtrack of Gould playing Bach is used in Spheres, an animated film directed by René Jodoin and Norman McLaren, for the National Film Board of Canada.
• (January) Columbia Record Club album: Beethoven, Sonatas Opp. 13 (Pathétique), 27/No. 2 ("Moonlight"), and 57 ("Appassionata"). (Re-released as a regular Masterworks album, 1970.)
• (January) Columbia Masterworks album: Prokofiev, Sonata No. 7, and Scriabin, Sonata No. 3.*
• (May) Columbia Masterworks album: Mozart, Sonatas, Vol. 2: K. 284, 309, and 311.
• (May 8) CBC television (Telescope): Variations on Glenn Gould, portrait with interview segments.
• (May 18–October 5) CBC radio: The Art of Glenn Gould, 21-part weekly series mostly devoted to Gould's discography, with commentary on topics including concerts versus recording, various composers, the psychology of concertos, the animated films of Norman McLaren, fugue, music criticism, and the Moog Synthesizer, along with some humorous skits.
• (August) Columbia Masterworks album: Bach, Concertos, Vol. 2 (Nos. 2 and 4), with Vladimir Golschmann conducting the Columbia Symphony.
• (September 9) Receives the Canada Council's Molson Prize.
• (October) Columbia Masterworks album: Schumann, Piano Quartet in E-flat Major, with the Juilliard String Quartet.
• (November 12) CBC radio (Ideas): The Latecomers, "contrapuntal radio documentary," the second installment in his "Solitude Trilogy." (Released as a CBC Learning Systems LP, 1971.)

1970
• (February 18) CBC-NET television (The World of Music): The Well-Tempered Listener, with Gould as performer (on piano, harpsichord, and organ) and in conversation with Curtis W. Davis.
• (April) Columbia Masterworks album: Bach, The Well-Tempered Clavier, Book 2, Nos. 9–16.
• (May) Self-interview about Beethoven published in the souvenir program of the Guelph Spring Festival, in Ontario; several reprints, including The Globe Magazine (June 6) and The Piano Quarterly (Fall 1972).
• (July 16–17) Eight-track recording of Scriabin's Sonata No. 5, which he intendeds to mix in such a way that the audio perspective changes to reflect the structure of the music – an innovative technique he dubs "acoustic orchestration" or "acoustic choreography." (This was to have been part of a complete cycle of Scriabin sonatas – a project he abandons.) The post-production work is never done, and when the recording is released posthumously, in 1986, it is in a single, unvarying audio perspective only.
• (July 23) CBC radio (CBC Thursday Night): Performs Chopin's Sonata No. 3 (his only adult performance of Chopin) and short pieces by Mendelssohn, and airs a short documentary on musical trends in the 1960s.
• (August 5) CBC-NET: television version of The Idea of North, produced and directed by Judith Pearlman.
• (October) Columbia Masterworks album: Beethoven, Variations WoO 80 and Opp. 34 and 35 ("Eroica").
• (December 9) CBC television (Beethoven Bi-Centennial Concert): Glenn Gould Plays Beethoven, including the "Emperor" Concerto, with Karel Ancerl conducting the Toronto Symphony – a performance Gould taped on a few hours' notice after the cancellation of Arturo Benedetti Michelangeli.

1971
• (January 10) First recording session in Eaton Auditorium, Toronto, where Gould will make most of his recordings for the rest of his life. Around this time, he also hires a personal assistant, Ray Roberts.
• (February 2) CBC radio (CBC Tuesday Night): Stokowski: A Portrait for Radio, "contrapuntal radio documentary."
• (March 9) Interview with Artur Rubinstein, in Look.
• (ca. April) CBC radio: performs Beethoven's "Hammerklavier" Sonata.
• (April 18) Records Bach's Aria variata alla maniera italiana in A Minor (released posthumously, 1997).
• (May) Columbia Masterworks album: Bach, The Well-Tempered Clavier, Book 2, Nos. 17–24.
• (Spring–Summer) "Radio as Music, Glenn Gould in conversation with John Jessop," in the Canada Music Book.
• (September) Approached to supervise a Bach-based soundtrack for George Roy Hill's film of Kurt Vonnegut's novel Slaughterhouse-Five. He accepts, and, beginning in December, puts himself at the disposal of Universal Studios for 10 weeks. The film is released in March 1972, and later a soundtrack album is released by Columbia.
• (September 27) Radio recital for the European Broadcasting Union, a program of works in variations form, with commentary.
• (October) Columbia Masterworks album: works by Byrd and Gibbons.*
• (ca. October 20) After being shipped back to Toronto from Cleveland, where Gould had planned (but cancelled) sessions to record concertos by Beethoven and Grieg with the Cleveland Orchestra, his beloved piano CD 318 is dropped and badly damaged. It is repaired, and adjusted many more times through the 1970s, but in his view it is never quite right again.

1972
• Contributes an introduction to an edition of Bach's Well-Tempered Clavier (New York: Amsco Music Publishing Company).
• (January) Completes Glenn Gould über Johann Sebastian Bach, a promotional recording for CBS Schallplatten, in Germany, in which he reads a text in German.
• (April) Columbia Masterworks album: Mozart, Sonatas, Vol. 3: K. 310, 330, 332, and 333.
• (May) Columbia Masterworks album: Schoenberg: Complete Songs for Voice and Piano, Vol. 2, with Donald Gramm, bass-baritone, Helen Vanni, mezzo-soprano, and Cornelis Opthof, baritone.
• (August 26) CBC radio (The Scene): reviews Slaughterhouse-Five, about which he ended up having mixed feelings.
• (October) Columbia Masterworks album: Handel, Suites Nos. 1–4, including his own arrangement of the Prelude of No. 1. He made this recording, in March, on the harpsichord because his piano, CD 318, was then being repaired.
• (October 7) CBC radio (The Scene): humorous documentary on competitive sports, in which he appears as several fictitious characters.

1973
• Around this time, Gould's relationship with Cornelia Foss ends, and she moves back to her husband.
• (February 14) Purchases CD 318 outright.
• (March) Columbia Masterworks album: Grieg, Sonata in E Minor; Bizet, Premier Nocturne and Variations chromatiques.*
• (August) Serves as producer for a recording by the pianist Antonin Kubalik, of music by Korngold (released as Genesis GS 1055).*
• (October) Columbia Masterworks album: Bach, French Suites, Nos. 1–4.
• (October) Columbia Masterworks album: Beethoven, Sonatas Op. 31/Nos. 1, 2 ("Tempest"), and 3.
• (October) CBS Masterworks album: Hindemith, Sonatas, Nos. 1–3.* (His liner notes win a Grammy Award the following year.)
• (October) CBS Masterworks album: Wagner, Prelude to Die Meistersinger, "Dawn" and "Siegfried's Rhine Journey" from Götterdämmerung, and Siegfried-Idyll, all in Gould's own transcriptions.*
• (November) CBS Masterworks album: Mozart, Sonatas, Vol. 4: K. 331, 545, and 533/494, and Fantasia K. 397.

1974
• (January–February) Over a six-week period, shoots Glenn Gould, a series of four films by Bruno Monsaingeon for the ORTF (French television) series Chemins de la musique. The films – "La Retraite," "L'Alchimiste," "Glenn Gould 1974," and "6e Partita de J-S Bach" – air on November 30 and December 7, 14, and 21.
• (January 15) CBC radio (CBC Tuesday Night): Casals: A Portrait for Radio, "contrapuntal radio documentary."
• (February) "Glenn Gould Interviews Glenn Gould about Glenn Gould," in High Fidelity/Musical America.
• (February) Tapes three humorous television commercials promoting the radio series CBC Tuesday Night, appearing in costume as fictitious characters: Sir British conductor Sir Nigel Twitt-Thornwaite, the German avant-garde composer Dr. Karlheinz Klopweisser, and the American actor Myron Chianti.
• (February 20) CBC television (Musicamera): "The Age of Ecstasy: 1900–1910," with Gould as performer and commentator, the first installment in his series Music in Our Time.
• (Spring) First article for The Piano Quarterly: "Take One: Data Bank on the Upward Scuttling Mahler" (reprint of a review published November 10, 1973, in The Globe and Mail). He will contribute a dozen new and reprinted articles and reviews to the magazine over the next 6 years.
• (June) CBS Masterworks album: Bach, French Suites Nos. 5 and 6, and French Overture.
• (August) CBS Masterworks album: Bach, 3 Viola da Gamba Sonatas, with Leonard Rose, cello.
• (September 11–November 13) CBC radio (Music of Today): ten-part weekly series on Schoenberg.
• (November 19) CBC radio (CBC Tuesday Night): Schoenberg: The First Hundred Years – A Documentary Fantasy, "contrapuntal radio documentary."

1975
• (February 5) CBC television (Musicamera): "The Flight from Order: 1910–1920," with Gould as performer and commentator, the second installment in his series Music in Our Time.
• (April) CBS Masterworks album: Beethoven, Bagatelles, Opp. 33 and 126.
• (July) CBS Masterworks album: Mozart, Sonatas, Vol. 5: K. 457, 570, and 576, and Fantasia K. 475.
• (July 26) Death of Gould's mother, from a stroke.
• (August) "An Experiment in Listening: The Grass is Always Greener in the Outtakes," in High Fidelity/Musical America, the results of a private experiment demonstrating the musical integrity of recordings.
• (August 29) Private video production: Radio as Music, created for the International Exhibition of Music for Broadcasting, Toronto.
• (November 26) CBC television (Musicamera): "New Faces, Old Forms: 1920–1930," with Gould as performer and commentator, the third installment in his series Music in Our Time; includes his own transcription of Ravel's La Valse.
• (December) Completes a documentary on Ernst Krenek for the BBC radio series Music Weekly, but because of a disagreement about the soundtrack it never airs.

1976
• CBS Masterworks albums this year: Hindemith: The Complete Sonatas for Brass and Piano, with the Philadelphia Brass Ensemble; and Bach, 6 Violin Sonatas, with Jaime Laredo.
• (April 29) Receives the Diplôme d'honneur from the Canadian Conference of the Arts.
• (May) Reviews the Streisand album Classical Barbra in his last piece for High Fidelity/Musical America.
• (July) Receives the National Award in Music form the University of Alberta.
• (September) Begins renting a studio at the Inn on the Park, a posh Four Seasons hotel in the Toronto suburb of Don Mills.

1977
• CBS Masterworks albums this year: Sibelius, 3 Sonatines and Kyllikki (mixed using "acoustic orchestration");* and Bach, 6 English Suites.
• (March 25) CBC radio (Ideas): The Quiet in the Land, "contrapuntal radio documentary," the third installment in his "Solitude Trilogy."
• (Spring) Begins experiencing what he considers to be serious and potentially crippling problems with his hands.
• (August 22–26) CBC radio: serves as host and commentator for Arts National.
• (December 14) CBC television (Musicamera): "The Artist as Artisan: 1930–1940," with Gould as performer and commentator, the fourth installment in his series Music in Our Time. (It is the final installment, though seven episodes were originally planned.)
• (Mid-September through July 12, 1978) Keeps a detailed written record of his hand problems and efforts to overcome them through physical experiments at the keyboard, though the cause, nature, and seriousness of these problems is never clear.

1978
• CBS Masterworks album this year: Hindemith, Das Marienleben, original 1923 version, with Roxolana Roslak, soprano.* (Wins a Juno Award the following year.)
• (Spring) Publication of Geoffrey Payzant's Glenn Gould, Music and Mind (Toronto: Van Nostrand Reinhold). Gould cheekily reviews the book himself, in the May 27 issue of The Globe and Mail.
• (May) "Glenn Gould at 45," profile by Norman Snider, in Toronto Life.
• (May 7) CBC radio (From the Masters): scripted interview with Andrew Marshall.
• (May 14) "Stokowski in Six Scenes" published in the New York Times Magazine, which had commissioned the article and is angered to learn that Gould has permitted it to be published in advance in The Piano Quarterly.
• (June) Tapes a conversation about recording with Yehudi Menuhin, for Part 8 ("Sound or Unsound") of the CBC-PBS television series The Music of Man, first broadcast in the fall of 1979.
• (August–September) Shooting of Glenn Gould's Toronto (part of the series Cities), directed by John McGreevy; Gould writes the narration and appears on-camera as tour guide. The program has its première on the CBC on September 27, 1979, and receives two actra Awards in 1980.

1979
• CBS Masterworks albums this year: Mozart, complete sonatas (re-releases);* and Bach, Toccatas, Vol. 1.
• (April 2 and 9) CBC radio (Mostly Music): The Bourgeois Hero, "contrapuntal radio documentary" about Richard Strauss, in two parts.
• (April 23) Resumes recording after a two-year hiatus, his mysterious hand problems apparently no longer an issue.
• (June 11, to April 5, 1980) Records various short works by Bach for two proposed albums – one of fantasies and fugues, one of works in the Italian style – neither of which is finished (released posthumously, 1997).
• (October 10, 1979) Last recording session under producer Andrew Kazdin.
• (November) Filming of The Question of Instrument, directed by Bruno Monsaingeon, the first installment in the CBC-Clasart television series Glenn Gould Plays Bach.

1980
• CBS Masterworks albums this year: Bach, Toccatas, Vol. 2; The Little Bach Book (re-releases); Bach, Preludes, Fughettas, and Fugues (which wins Canadian Music Council's Grand prix du disque the following year); and Beethoven, Sonatas Opp. 2/Nos. 1–3 and 28 ("Pastoral"). Also released this year: The Glenn Gould Silver Jubilee Album, a two-record set comprising previously unreleased recordings made 1963–72, mostly for abandoned projects (3 Scarlatti sonatas, a C. P. E. Bach sonata, 2 Scriabin pieces, the first movement of the Beethoven-Liszt Pastoral Symphony, Strauss's Ophelia-Lieder with the soprano Elisabeth Schwarzkopf, and Gould's So You Want to Write a Fugue?); also includes a new, humorous self-interview, A Glenn Gould Fantasy.
• Scripted interview with Elyse Mach, published in her book Great Pianists Speak for Themselves (New York: Dodd, Mead).
• (January 11) First recording session in Eaton Auditorium as his own producer.
• (January 19) Remarriage of his father to Vera Dobson (1909–1999). Gould declines to be his best man and does not attend the ceremony; he is disturbed by the union, which strains his relationships with his father and some other family members.
• (March 16) "A Rare Meeting with the Bobby Fischer of Music," interview with Andrew Stephen, in the Sunday Times Magazine (London).
• (May 20–August 21) Keeps a fairly regular diary for the only time in his life.
• (August) Interview with James Aikin, in Contemporary Keyboard.
• (October) Makes his first digital recordings, in New York – late sonatas by Haydn.
• (October 23) CBC radio (Mostly Music): scripted interview with Barclay McMillan.
• (November) Filming of An Art of the Fugue, directed by Bruno Monsaingeon, the second installment in the CBC-Clasart television series Glenn Gould Plays Bach.
• (November 26–December 2) "Glenn Gould: Bach's Bad Boy," interview with Tim Page, in the Soho News.

1981
• (January–February) Interview with Ulla Colgrass, in Music Magazine.
• (February) Records on a Yamaha piano for the first time, in sonatas by Haydn, and continues to use the Yamaha in the rest of his digital recordings in New York.
• (April–May) Filming of The Goldberg Variations, directed by Bruno Monsaingeon, the third installment in the television series Glenn Gould Plays Bach, now produced by Clasart alone. (It is the final installment, though five episodes were originally planned.)
• (April 12) Receives the Canadian Music Council Award for "outstanding service in Canadian musical life."
• (June) "' … the inner movement of music …'," interview with Martin Mayer (in German), in Fono Forum.
• (August 29–30) Last recording sessions in Eaton Auditorium: Bach, Italian Concerto (released posthumously, 1998).
• (Fall) Interview with Tim Page, in The Piano Quarterly.
• (November 30) Profile by Joseph Roddy, in People (reprinted in Reader's Digest, May 1982).
• (December) "The Decided Views of Glenn Gould," interview with Dale Harris, in Keynote Magazine (reprinted the same month in Performance Magazine).
• (December) "Glenn Gould: Music for Piano and a Different Drummer," profile by Laurence Shames, in Esquire, accompanied by the last known photographs of Gould.
• (December 25) CBC radio (Booktime): Gould reads from Natsume Soseki's novel The Three-Cornered World – his last broadcast for the CBC.

1982
• CBS Masterworks albums this year: Haydn: The Last Six Sonatas; Bach, Goldberg Variations (which wins posthumous Grammy and Juno Awards the following year).
• (February 8–10, June 30, July 1) Records Brahms's Ballades and Rhapsodies (released posthumously, 1983, and wins a Juno Award the following year).
• (ca. spring) Scripted interview with David Dubal, published posthumously in The Piano Quarterly (Fall 1984) and in Dubal's Reflections from the Keyboard: The World of the Concert Pianist (New York, 1984).
• (Spring) Supervises the recording of his own soundtrack for a film version of Timothy Findley's novel The Wars, a Canadian-German co-production directed by Robin Phillips. The film is released in the fall, shortly after Gould's death.
• (July 26) "What the Recording Process Means to Me," script for an in-house CBS Masterworks video project (published posthumously, 1983).
• (July 27–29) Begins a new career as a conductor by recording the chamber-orchestra version of Wagner's Siegfried Idyll, with a pick-up ensemble of Toronto-area musicians (released posthumously, 1990).
• (August 2–3) Records Beethoven's Sonata Op. 27/No. 1 (with the Op. 26 sonata (recorded 1979), released posthumously, 1983, and wins a Grammy Award the following year).
• (August 22) Privately tapes a scripted promotional interview about his new recording of the Goldberg Variations, with Tim Page (released posthumously, 1984).
• (September 1–3) Last recording sessions as a pianist, in New York: Strauss's Piano Sonata, Op. 5 (with the Five Piano Pieces, Op. 3 (recorded 1979), released posthumously, 1984).
• (September 8) Last recording session: retakes for Wagner's Siegfried Idyll. He has already made plans for further conducting projects, starting with overtures by Mendelssohn and Beethoven this fall.
• (September 27) Just days after his fiftieth birthday and the release of his new recording of the Goldberg Variations, suffers a massive stroke and is taken to hospital, where his condition deteriorates over the next few days.
• (October 4) Taken off life-support and pronounced dead at 11:00 a.m.
• After a private funeral, Gould is buried next to his mother at Mt. Pleasant Cemetery. On October 15, a public memorial service is held in St. Paul's Cathedral. He wills the bulk of his estate to the Salvation Army and the Toronto Humane Society. In the fall of 1983, his personal effects are acquired by the National Library of Canada (today the Library and Archives Canada), in Ottawa; some of these effects are now held at the Canadian Museum of Civilization, in neighboring Gatineau, Quebec. Within a year of his death, his recordings are being re-released, his writings are being collected, he is being written about extensively … It is the beginning of an extraordinary posthumous "life" that has not abated – indeed, has only intensified – in the years since.

Prepared by Kevin Bazzana

CONTACT

Licensing Music From SonyBMG
New York office:
550 Madison Avenue
New York, NY 10022
212-833-7100 (phone)
212-833-7416 (fax)
licensingNY@sonybmg.com

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Los Angeles, CA 90404
310-449-2555 (phone)
310-449-2570 (fax)
licensingLA@sonybmg.com

All other Licensing Requests and Information:
Faye Perkins
Glenn Gould Estate
info@glenngould.com

LINKS

Glenn Gould Foundation:
www.glenngould.ca

Glenn Gould Germany
www.sonyclassical.de/glenngould/home.html

The Glenn Gould Archive - Library and Archives Canada
www.collectionscanada.gc.ca/glenngould/index-e.html

CBC Archives
archives.cbc.ca/arts_entertainment/music/topics/320/

Glenn Gould: The Sound of Genius Exhibition at Canadian Museum of Civilization
www.civilization.ca/cmc/gould/gould01e.html

Sarabande: The Glenn Gould Project
www.glenngould.co.uk/mainpage.html

Wikipedia
en.wikipedia.org/wiki/Glenn_Gould

F Minor - A Mailing List Devoted to the Discussion of Glenn Gould
www.rci.rutgers.edu/~mwatts/glenn/fminor.html

Glenn Gould Links
glenngould.org/

Buy Now: amazon.com | ariama.com | shop.myplay.com

Artist	Album Title	Configuration	Item #	UPC # / ISRC #	Release Date	Number of Discs
GLENN GOULD	GLENN GOULD PLAYS BACH	CD ALBUM	SXK64226	074646422625	11/16/1999	12
GLENN GOULD	J.S. BACH: CONCERTOS FOR PIANO AND ORCHESTRA NOS. 1 - 5 & 7	CD ALBUM	S2K52591	074645259123	10/27/1992	2
GLENN GOULD	THE ESSENTIAL GLENN GOULD	CD ALBUM	88697417292	886974172925	4/7/2009	2
GLENN GOULD	BACH: ITALIAN CONCERTO; PARTITAS NOS. 1 & 2 [GREAT PERFORMANCES]	CD ALBUM	88697008142	886970081429	5/1/2007	1
GLENN GOULD	THE GOULD VARIATIONS: THE BEST OF GLENN GOULD'S BACH	CD ALBUM	S2K89344	696998934429	8/29/2000	2
GLENN GOULD	BEETHOVEN: VARIATIONS AND BAGATELLES	CD ALBUM	S2K52646	074645264622	10/20/1992	2
GLENN GOULD	GLENN GOULD: A STATE OF WONDER: THE COMPLETE GOLDBERG VARIATIONS (1955 & 1981) : A STATE OF WONDER	CD ALBUM	S3K87703	696998770324	9/3/2002	3
GLENN GOULD	BEETHOVEN: PIANO SONATAS, VOL. II	CD ALBUM	S3K52642	074645264226	4/19/1994	3
GLENN GOULD	BACH: TOCCATAS, BWV 910 - 913, VOLUME 1 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87762	696998776227	9/3/2002	1
GLENN GOULD	GREATEST HITS	CD ALBUM	88697421962	886974219620	6/23/2009	1
GLENN GOULD	BYRD, GIBBONS: CONSORT MUSICKE; SWEELINCK: FANTASIA	CD ALBUM	SMK52589	074645258928	6/29/1993	1
GLENN GOULD	CHOPIN: PIANO SONATA NO.2; MENDELSSOHN: SONGS WITHOUT WORDS; SCRIABIN, PROKOFIEV: WORKS	CD ALBUM	S2K52622	074645262222	6/27/1995	2
GLENN GOULD	BRAHMS: BALLADES, RHAPSODIES & INTERMEZZI	CD ALBUM	S2K52651	074645265124	3/9/1993	2
GLENN GOULD	GLENN GOULD: PLAYS BACH	CD ALBUM	SMK52620	074645262024	2/25/1997	1
GLENN GOULD	BERG/KRENEK/WEBERN/RAVEL/DEBUSSY	CD ALBUM	SMK52661	074645266121	6/27/1995	1
GLENN GOULD	HAYDN: SIX LATE PIANO SONATAS	CD ALBUM	S2K52623	074645262321	4/19/1994	2
GLENN GOULD	BACH: KEYBOARD CONCERTOS NOS. 2, 3 & 7 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87761	696998776128	9/3/2002	1
GLENN GOULD	SCHOENBERG: PIANO MUSIC; PIANO CONCERTO; FANTASY FOR VIOLIN; ODE TO NAPOLEON	CD ALBUM	S2K52664	074645266428	2/7/1995	2
GLENN GOULD	32 SHORT FILMS ABOUT GLENN GOULD - MUSIC FROM THE FILM	CD ALBUM	SK46686	074644668629	3/22/1994	1
GLENN GOULD	SYMPHONY NO. 5 & FIRST MOVEMENT OF SYMPHONY NO. 6 TRANSCRIBED FOR PIANO BY FRANZ LISZT (1811-1886)	CD ALBUM	SMK52636	074645263625	10/20/1992	1
GLENN GOULD	BACH: PARTITAS, BWV 828-830, VOLUME 2 (GLENN GOULD - THE ANNIVERSARY EDITION)	CD ALBUM	SK87768	696998776821	9/3/2002	1
GLENN GOULD	GLENN GOULD & CHAMBER MUSIC	CD ALBUM	SMK52679	074645267920	3/18/1997	1
GLENN GOULD	BACH: THE ART OF THE FUGUE, FUGUES 1 - 9 (GLENN GOULD - THE ANNIVERSARY EDITION)	CD ALBUM	SK87759	696998775923	9/3/2002	1
GLENN GOULD	SILVER JUBILEE ALBUM	CD ALBUM	S2K60686	074646068625	9/22/1998	2
GLENN GOULD	GLENN GOULD CONDUCTS & PLAYS WAGNER	CD ALBUM	SMK52650	074645265025	4/19/1994	1
GLENN GOULD	BACH: TOCCATAS, BWV 910-916	CD ALBUM	S2K52612	074645261225	4/19/1994	2
GLENN GOULD	BACH: THE ART OF THE FUGUE, FUGUES 1 - 9	CD ALBUM	SMK52595	074645259529	2/25/1997	1
GLENN GOULD	THE ART OF GLENN GOULD	CD ALBUM	SXK52694	074645269429	10/27/1992	1
GLENN GOULD	BACH: PARTITAS, BWV 825-827, VOLUME 1 (GLENN GOULD - THE ANNIVERSARY EDITION)	CD ALBUM	SK87767	696998776722	9/3/2002	1
GLENN GOULD	BACH: KEYBOARD CONCERTOS 1, 4 & 5 [EXPANDED EDITION]	CD ALBUM	SK93089	827969308929	2/24/2004	1
GLENN GOULD	BACH: THE WELL-TEMPERED CLAVIER BOOK I, BWV 846-869	CD ALBUM	S2K52600	074645260020	1/11/1994	2
GLENN GOULD	BACH: THE WELL-TEMPERED CLAVIER, BOOK II, BWV 870-893	CD ALBUM	S2K52603	074645260327	1/11/1994	2
GLENN GOULD	MOZART: THE COMPLETE PIANO SONATAS; FANTASIES	CD ALBUM	S4K52627	074645262727	2/7/1995	4
GLENN GOULD	BACH: GOLDBERG VARIATIONS (1981 DIGITAL RECORDING)	CD ALBUM	MK37779	074643777926	6/28/1983	1
GLENN GOULD	THE GLENN GOULD TRILOGY - A LIFE	CD ALBUM	88697130642	886971306422	11/13/2007	3
GLENN GOULD	GLENN GOULD LIVE IN LENINGRAD 1957	CD ALBUM	SMK52686	074645268620	1/11/1994	1
GLENN GOULD	BACH: ENGLISH SUITES, BWV 809 - 811, VOLUME 2 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87766	696998776623	9/3/2002	1
GLENN GOULD	BEETHOVEN: THE FIVE PIANO CONCERTOS	CD ALBUM	S3K52632	074645263229	10/27/1992	3
GLENN GOULD	BACH: GOLDBERG VARIATIONS (1955 VERSION) - EXPANDED EDITION	CD ALBUM	SK90387	827969038727	9/30/2003	1
GLENN GOULD	...AND SERENITY	CD ALBUM	SK90538	827969053829	10/7/2003	1
GLENN GOULD	GLENN GOULD EDITION VII: MARIENLEBEN	CD ALBUM	S2K52674	074645267425	6/27/1995	2
GLENN GOULD	BACH: TWO AND THREE PART INVENTIONS AND SINFONIAS, BWV 772-801 [EXPANDED EDITION]	CD ALBUM	SK90401	827969040126	2/24/2004	1
GLENN GOULD	BACH: GOLDBERG VARIATIONS ('55 MONO RECORDING)	CD ALBUM	SMK52594	074645259420	10/27/1992	1
GLENN GOULD	GLENN GOULD AT THE MOVIES	CD ALBUM	SK66531	074646653128	9/14/1999	1
GLENN GOULD	BACH: FRENCH SUITES, BWV 812-817 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87764	696998776425	9/3/2002	1
GLENN GOULD	BACH: TWO AND THREE PART INVENTIONS AND SINFONIAS, BWV 772-801 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87754	696998775428	9/3/2002	1
GLENN GOULD	BEETHOVEN: PIANO SONATAS, VOL. 1	CD ALBUM	S3K52638	074645263823	4/19/1994	3
GLENN GOULD	GLENN GOULD PLAYS BACH AND SCARLATTI - 70TH ANNIVERSARY EDITION	CD ALBUM	SK87753	696998775329	9/3/2002	1
GLENN GOULD	BACH: ENGLISH SUITES, BWV 806-811	CD ALBUM	S2K52606	074645260624	2/7/1995	2
GLENN GOULD	BACH: TWO AND THREE PART INVENTIONS AND SINFONIAS, BWV 772-801 [GREAT PERFORMANCES]	CD ALBUM	82876787662	828767876627	6/6/2006	1
GLENN GOULD	BEETHOVEN/LISZT: SYMPHONY NO.6 PASTORAL" (PIANO TRANSCRIPTION)"	CD ALBUM	SMK52637	074645263724	3/9/1993	1
GLENN GOULD	SONATAS FOR PIANO NOS. 1 - 3 (1936)	CD ALBUM	SMK52670	074645267029	3/9/1993	1
GLENN GOULD	BEETHOVEN: SONATA NO. 24; HAMMERKLAVIER SONATA	CD ALBUM	SMK52645	074645264523	6/29/1993	1
GLENN GOULD	GLENN GOULD PLAYS CONTEMPORARY MUSIC	CD ALBUM	SMK52677	074645267722	10/20/1992	1
GLENN GOULD	BACH: KEYBOARD CONCERTOS NOS. 1, 4 & 5 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87760	696998776029	9/3/2002	1
GLENN GOULD	GOULD PLAYS GRIEG, BIZET & SIBELIUS	CD ALBUM	S2K52654	074645265421	10/20/1992	2
GLENN GOULD	BACH: GOLDBERG VARIATIONS, BWV 988 (1981 RECORDING) [EXPANDED EDITION]	CD ALBUM	SK93070	827969307021	2/24/2004	1
GLENN GOULD	THE 1955 GOLDBERG VARIATIONS - BIRTH OF A LEGEND	CD ALBUM	82876746512	828767465128	11/15/2005	1
GLENN GOULD	BACH: FRENCH SUITES, BWV 812-817 & OVERTURE IN THE FRENCH STYLE, BWV 831	CD ALBUM	S2K52609	074645260921	2/7/1995	2
GLENN GOULD	MOZART: PIANO CONCERTO NO.24; PIANO SONATA, K.330; FANTASIA & FUGUE; HAYDN: SONATA IN E-FLAT MAJOR	CD ALBUM	SMK52626	074645262628	10/20/1992	1
GLENN GOULD	BACH: TOCCATAS, BWV 914 - 916, VOLUME 2 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87763	696998776326	9/3/2002	1
GLENN GOULD	GLENN GOULD LIVE IN SALZBURG & MOSCOW	CD ALBUM	SMK52685	074645268521	1/11/1994	1
GLENN GOULD	BACH: PRELUDES, FUGUES AND FUGHETTAS - EXPANDED EDITION	CD ALBUM	SK93016	827969301623	9/30/2003	1
GLENN GOULD	GLENN GOULD LIVE IN TORONTO	CD ALBUM	SMK52687	074645268729	6/27/1995	1
GLENN GOULD	BACH: ENGLISH SUITES, BWV 806 - 808, VOLUME 1 (GLENN GOULD ANNIVERSARY EDITION)	CD ALBUM	SK87765	696998776524	9/3/2002	1
GLENN GOULD	SCHOENBERG: LIEDER	CD ALBUM	S2K52667	074645266725	6/27/1995	2
GLENN GOULD	HANDEL: SUITES FOR HARPSICHORD AND J.S. BACH: SELECTIONS FROM THE WELL TEMPERED CLAVIER, BOOK II	CD ALBUM	SMK52590	074645259024	6/29/1993	1
GLENN GOULD	SCHUMANN: PIANO QUARTET; BRAHMS: PIANO QUINTET	CD ALBUM	SMK52684	074645268422	6/29/1993	1
GLENN GOULD, ELIZABETH SCHWARZKOPF, CLAUDE RAINS	STRAUSS: OPHELIA LIEDER, ENOCH ARDEN, PIANO SONATA, OP. 5, FIVE PIECES FOR PIANO, OP. 3	CD ALBUM	S2K52657	074645265728	11/10/1992	2
GLENN GOULD, MEMBERS OF THE PHILADELPHIA BRASS ENSEMBLE	HINDEMITH: SONATAS FOR BRASS AND PIANO	CD ALBUM	S2K52671	074645267128	10/20/1992	2
GLENN GOULD, YEHUDI MENUHIN	GOULD MEETS MENUHIN	CD ALBUM	SMK52688	074645268828	6/29/1993	1
GLENN GOULD, JAIME LAREDO, LEONARD ROSE	BACH: THE SIX SONATAS FOR VIOLIN AND HARPSICHORD; THE THREE SONATAS FOR VIOLA DA GAMBA	CD ALBUM	S2K52615	74645261522	2/7/1995	2
GLENN GOULD	GLENN GOULD: THE COMPLETE ORIGINAL JACKET COLLECTION	CD ALBUM		88697130942	9/7/2007	80
GLENN GOULD	BACH: ITALIAN CONCERTO IN F MAJOR & PARTITAS NOS. 1 & 2	CD SUPER AUDIO CD	SS06141	074640614163	9/28/1999	1
GLENN GOULD	BEETHOVEN/LISZT: SYMPHONY NO.6 PASTORAL" (PIANO TRANSCRIPTION)"	DIGITAL LONGPLAY	G010000911944G	074645263724	3/9/1993	NA
GLENN GOULD	SCHOENBERG: LIEDER	DIGITAL LONGPLAY	G010001222581E	074645266725	6/27/1995	NA
GLENN GOULD	BACH: THE WELL-TEMPERED CLAVIER, BOOK I, BWV 846-853	DIGITAL LONGPLAY	G010001248675N	886971476729	8/28/2007	NA
GLENN GOULD	BRAHMS: BALLADES, RHAPSODIES & INTERMEZZI	DIGITAL LONGPLAY	G0100012225784	074645265124	3/9/1993	NA
GLENN GOULD	BERG/KRENEK/WEBERN/RAVEL/DEBUSSY	DIGITAL LONGPLAY	G010001103362Z	074645266121	6/27/1995	NA
GLENN GOULD	BACH: THE ART OF THE FUGUE, FUGUES 1 - 9 (GLENN GOULD - THE ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100007042996	696998775923	9/3/2002	NA
GLENN GOULD	GLENN GOULD PLAYS BACH AND SCARLATTI - 70TH ANNIVERSARY EDITION	DIGITAL LONGPLAY	G0100012229890	696998775329	9/3/2002	NA
GLENN GOULD	SCHOENBERG: PIANO MUSIC; PIANO CONCERTO; FANTASY FOR VIOLIN; ODE TO NAPOLEON	DIGITAL LONGPLAY	G010001016574Y	074645266428	2/7/1995	NA
GLENN GOULD	BACH: GOLDBERG VARIATIONS (1981 DIGITAL RECORDING)	DIGITAL LONGPLAY	G010000910798K	074643777926	6/28/1983	NA
GLENN GOULD	BEETHOVEN: PIANO SONATAS, VOL. 1	DIGITAL LONGPLAY	G010001222631Q	074645263823	4/12/1994	NA
GLENN GOULD	BACH: ENGLISH SUITES, BWV 806 - 808, VOLUME 1 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100012229945	696998776524	9/3/2002	NA
GLENN GOULD	GLENN GOULD & CHAMBER MUSIC	DIGITAL LONGPLAY	G0100012230660	074645267920	3/18/1997	NA
GLENN GOULD	THE ART OF GLENN GOULD	DIGITAL LONGPLAY	G0100010551259	074645269429	10/27/1992	NA
GLENN GOULD	BYRD, GIBBONS: CONSORT MUSICKE; SWEELINCK: FANTASIA	DIGITAL LONGPLAY	G010000934546P	074645258928	6/29/1993	NA
GLENN GOULD	BACH: GOLDBERG VARIATIONS (1955 VERSION) - EXPANDED EDITION	DIGITAL LONGPLAY	G0100009345895	827969038727	9/30/2003	NA
GLENN GOULD	BACH: KEYBOARD CONCERTOS NOS. 1, 4 & 5 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G010001222991B	696998776029	9/3/2002	NA
GLENN GOULD	SILVER JUBILEE ALBUM	DIGITAL LONGPLAY	G010001222590C	074646068625	9/22/1998	NA
GLENN GOULD	GLENN GOULD PLAYS CONTEMPORARY MUSIC	DIGITAL LONGPLAY	G0100012230651	074645267722	10/20/1992	NA
GLENN GOULD	BACH: GOLDBERG VARIATIONS ('55 MONO RECORDING)	DIGITAL LONGPLAY	G010000912422F	074645259420	10/27/1992	NA
GLENN GOULD	MOZART: PIANO CONCERTO NO.24; PIANO SONATA, K.330; FANTASIA & FUGUE; HAYDN: SONATA IN E-FLAT MAJOR	DIGITAL LONGPLAY	G010001400935S	074645262628	10/20/1992	NA
GLENN GOULD	BACH: PARTITAS, BWV 825-827, VOLUME 1 (GLENN GOULD - THE ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100012229961	696998776722	9/3/2002	NA
GLENN GOULD	HAYDN: SIX LATE PIANO SONATAS	DIGITAL LONGPLAY	G010000912375Y	074645262321	4/19/1994	NA
GLENN GOULD	BACH: KEYBOARD CONCERTOS 1, 4 & 5 [EXPANDED EDITION]	DIGITAL LONGPLAY	G010000912181H	827969308929	2/24/2004	NA
GLENN GOULD	BACH: THE ART OF THE FUGUE, FUGUES 1 - 9	DIGITAL LONGPLAY	G010000913206F	074645259529	2/25/1997	NA
GLENN GOULD	BACH: ENGLISH SUITES, BWV 809 - 811, VOLUME 2 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100012229953	696998776623	9/3/2002	NA
GLENN GOULD	GLENN GOULD CONDUCTS & PLAYS WAGNER	DIGITAL LONGPLAY	G010001401025M	074645265025	4/19/1994	NA
GLENN GOULD	CHOPIN: PIANO SONATA NO.2; MENDELSSOHN: SONGS WITHOUT WORDS; SCRIABIN, PROKOFIEV: WORKS	DIGITAL LONGPLAY	G0100012225768	074645262222	6/27/1995	NA
GLENN GOULD	HANDEL: SUITES FOR HARPSICHORD AND J.S. BACH: SELECTIONS FROM THE WELL TEMPERED CLAVIER, BOOK II	DIGITAL LONGPLAY	G0100009121891	074645259024	6/29/1993	NA
GLENN GOULD	GLENN GOULD: A STATE OF WONDER: THE COMPLETE GOLDBERG VARIATIONS (1955 & 1981) : A STATE OF WONDER	DIGITAL LONGPLAY	G010001794246S	884977129861	9/3/2002	NA
GLENN GOULD	BACH: TWO AND THREE PART INVENTIONS AND SINFONIAS, BWV 772-801 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G010001222990D	696998775428	9/3/2002	NA
GLENN GOULD	BACH: TOCCATAS, BWV 914 - 916, VOLUME 2 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G010001367996R	696998776326	9/3/2002	NA
GLENN GOULD	BACH: PARTITAS, BWV 828-830, VOLUME 2 (GLENN GOULD - THE ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100012229970	696998776821	9/3/2002	NA
GLENN GOULD	BACH: PRELUDE, FUGHETTAS & FUGUES	DIGITAL LONGPLAY	G010001248941J	886971484724	8/21/2007	NA
GLENN GOULD	BACH: FRENCH SUITES, BWV 812-817 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100012229937	696998776425	9/3/2002	NA
GLENN GOULD	GLENN GOULD AT THE MOVIES	DIGITAL LONGPLAY	G010000934633T	074646653128	9/14/1999	NA
GLENN GOULD	BACH: TOCCATAS, BWV 910-916	DIGITAL LONGPLAY	G010000913579T	074645261225	4/19/1994	NA
GLENN GOULD	BACH: KEYBOARD CONCERTOS NOS. 2, 3 & 7 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G0100012229929	696998776128	9/3/2002	NA
GLENN GOULD	BACH: TWO AND THREE PART INVENTIONS AND SINFONIAS, BWV 772-801 [EXPANDED EDITION]	DIGITAL LONGPLAY	G010000910767Y	827969040126	2/24/2004	NA
GLENN GOULD	GLENN GOULD: PLAYS BACH	DIGITAL LONGPLAY	G0100012230635	074645262024	2/25/1997	NA
GLENN GOULD	THE GLENN GOULD TRILOGY - A LIFE	DIGITAL LONGPLAY	G010001269728P	888880306708	12/11/2007	NA
GLENN GOULD	BACH: GOLDBERG VARIATIONS, BWV 988 (1955 MONO RECORDING)	DIGITAL LONGPLAY	G010000934753D	074643847926	9/29/1987	NA
GLENN GOULD	...AND SERENITY	DIGITAL LONGPLAY	G0100009345799	827969053829	10/7/2003	NA
GLENN GOULD	32 SHORT FILMS ABOUT GLENN GOULD - MUSIC FROM THE FILM	DIGITAL LONGPLAY	G010001222768R	074644668629	3/22/1994	NA
GLENN GOULD	BACH: THE WELL-TEMPERED CLAVIER, BOOK II, BWV 870-893	DIGITAL LONGPLAY	G0100009113126	074645260327	1/11/1994	NA
GLENN GOULD	BEETHOVEN: PIANO SONATAS, VOL. II	DIGITAL LONGPLAY	G010000912158F	074645264226	4/19/1994	NA
GLENN GOULD	BACH: PRELUDES, FUGUES AND FUGHETTAS - EXPANDED EDITION	DIGITAL LONGPLAY	G0100012230395	827969301623	9/30/2003	NA
GLENN GOULD	BACH: THE SIX SONATAS FOR VIOLIN AND HARPSICHORD; THE THREE SONATAS FOR VIOLA DA GAMBA	DIGITAL LONGPLAY	G0100017940619	884977128611	2/7/1995	NA
GLENN GOULD	MOZART: THE COMPLETE PIANO SONATAS; FANTASIES	DIGITAL LONGPLAY	G0100013679752	074645262727	2/7/1995	NA
GLENN GOULD	BEETHOVEN: SYMPHONY NO. 5 & FIRST MOVEMENT OF SYMPHONY NO. 6 TRANSCRIBED FOR PIANO BY FRANZ LISZT (1811-1886)	DIGITAL LONGPLAY	G0100012230643	074645263625	10/20/1992	NA
GLENN GOULD	J.S. BACH: CONCERTOS FOR PIANO AND ORCHESTRA NOS. 1 - 5 & 7	DIGITAL LONGPLAY	G010001222574C	074645259123	10/27/1992	NA
GLENN GOULD	BACH: TWO AND THREE PART INVENTIONS AND SINFONIAS, BWV 772-801 [GREAT PERFORMANCES]	DIGITAL LONGPLAY	G010000668259B	828767876627	6/6/2006	NA
GLENN GOULD	BACH: FRENCH SUITES, BWV 812-817 & OVERTURE IN THE FRENCH STYLE, BWV 831	DIGITAL LONGPLAY	G010000961677B	074645260921	2/7/1995	NA
GLENN GOULD	IMAGES - GLENN GOULD	DIGITAL LONGPLAY	G010001049030S	074646258828	8/20/1996	NA
GLENN GOULD	BACH: GOLDBERG VARIATIONS, BWV 988 (1981 RECORDING) [EXPANDED EDITION]	DIGITAL LONGPLAY	G010001082109X	827969307021	2/24/2004	NA
GLENN GOULD	GLENN GOULD LIVE IN SALZBURG & MOSCOW	DIGITAL LONGPLAY	G010000934545R	074645268521	1/11/1994	NA
GLENN GOULD	BACH: TOCCATAS, BWV 910 - 913, VOLUME 1 (GLENN GOULD ANNIVERSARY EDITION)	DIGITAL LONGPLAY	G010000934627N	696998776227	9/3/2002	NA
GLENN GOULD	BACH: THE WELL-TEMPERED CLAVIER BOOK I, BWV 846-869	DIGITAL LONGPLAY	G010001222575A	074645260020	1/11/1994	NA
GLENN GOULD	BACH: ITALIAN CONCERTO; PARTITAS NOS. 1 & 2 [GREAT PERFORMANCES]	DIGITAL LONGPLAY	G010000868782I	886970081429	5/1/2007	NA
GLENN GOULD	BEETHOVEN: VARIATIONS AND BAGATELLES	DIGITAL LONGPLAY	G0100012225776	074645264622	8/14/2007	NA
GLENN GOULD	BEETHOVEN: SONATA NO. 24; HAMMERKLAVIER SONATA	DIGITAL LONGPLAY	G0100009124419	074645264523	6/29/1993	NA
GLENN GOULD	GLENN GOULD LIVE IN LENINGRAD 1957	DIGITAL LONGPLAY	G010000980795R	074645268620	1/11/1994	NA
GLENN GOULD	SCHUMANN: PIANO QUARTET; BRAHMS: PIANO QUINTET	DIGITAL LONGPLAY	G0100009114587	074645268422	6/29/1993	NA
GLENN GOULD	BACH: THE WELL-TEMPERED CLAVIER, BOOK I VOLUME 2, BWV 854-861	DIGITAL LONGPLAY	G010001248897W	886971479225	8/28/2007	NA
GLENN GOULD	GLENN GOULD'S FIRST RECORDING OF GRIEG AND BIZET	DIGITAL LONGPLAY	G010001248924L	886971482225	8/28/2007	NA
GLENN GOULD	THE 1955 GOLDBERG VARIATIONS - BIRTH OF A LEGEND	DIGITAL LONGPLAY	G010000582994C	828767465128	11/15/2005	NA
GLENN GOULD, ELIZABETH SCHWARZKOPF, CLAUDE RAINS	STRAUSS: OPHELIA LIEDER, ENOCH ARDEN, PIANO SONATA, OP. 5, FIVE PIECES FOR PIANO, OP. 3	DIGITAL LONGPLAY	G010001222580G	074645265728	11/10/1992	NA
GLENN GOULD, MEMBERS OF THE PHILADELPHIA BRASS ENSEMBLE	HINDEMITH: SONATAS FOR BRASS AND PIANO	DIGITAL LONGPLAY	G010001222582C	074645267128	10/20/1992	NA
GLENN GOULD, YEHUDI MENUHIN	GOULD MEETS MENUHIN	DIGITAL LONGPLAY	G010001223067Y	074645268828	6/29/1993	NA

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Buy	Bach: Two and Three Part Inventions and Sinfonias, BWV 772-801 [Great Performances] Release Date:  June 06, 2006 Track listing for CD Album (678766)
	1  Invention No. 1 in C Major, BWV 772  ra  wma32  wma128 2  Sinfonia No. 1 in C Major, BWV 787  ra  wma32  wma128 3  Invention No. 2 in C minor, BWV 773  ra  wma32  wma128 4  Sinfonia No. 2 in C minor, BWV 788  ra  wma32  wma128 5  Invention No. 5 in E-flat Major, BVW 776  ra  wma32  wma128 6  Sinfonia No. 5 in E-flat Major, BWV 791  ra  wma32  wma128 7  Invention No. 14 in B-flat Major, BWV 785  ra  wma32  wma128 8  Sinfonia No. 14 in B-flat Major, BWV 800  ra  wma32  wma128 9  Invention No. 11 in G minor, BWV 782  ra  wma32  wma128 10  Sinfonia No. 11 in G minor, BWV 797  ra  wma32  wma128 11  Invention No. 10 in G Major, BVW 781  ra  wma32  wma128 12  Sinfonia No. 10 in G Major, BWV 796  ra  wma32  wma128 13  Invention No. 15 in B minor, BWV 786  ra  wma32  wma128 14  Sinfonia No. 15 in B minor, BWV 801  ra  wma32  wma128 15  Invention No. 7 in E minor, BWV 778  ra  wma32  wma128 16  Sinfonia No. 7 in E minor, BWV 793  ra  wma32  wma128 17  Invention No. 6 in E Major, BWV 777  ra  wma32  wma128 18  Sinfonia No. 6 in E Major, BWV 792  ra  wma32  wma128 19  Invention No. 13 in A minor, BWV 784  ra  wma32  wma128 20  Sinfonia No. 13 in A minor, BWV 799  ra  wma32  wma128 21  Invention No. 12 in A Major, BWV 783  ra  wma32  wma128 22  Sinfonia No. 12 in A Major, BWV 798  ra  wma32  wma128 23  Invention No. 3 in D Major, BWV 774  ra  wma32  wma128 24  Sinfonia No. 3 in D Major, BWV 789  ra  wma32  wma128 25  Invention No. 4 in D minor, BWV 775  ra  wma32  wma128 26  Sinfonia No. 4 in D minor, BWV 790  ra  wma32  wma128 27  Invention No. 8 in F Major, BWV 779  ra  wma32  wma128 28  Sinfonia No. 8 in F Major, BWV 794  ra  wma32  wma128 29  Invention No. 9 in F minor, BWV 780  ra  wma32  wma128 30  Sinfonia No. 9 in F minor, BWV 795  ra  wma32  wma128 31  Sinfonia No. 8 in F Major, BWV 794 (Complete Performance)  ra  wma32  wma128 32  Sinfonia No. 15 in B Minor, BWV 801 (Complete Performance)  ra  wma32  wma128 33  Sinfonia No. 9 in F Minor, BWV 795 (Complete Performance)  ra  wma32  wma128 Unedited Studio Session Takes from June 6 & 9, 1955 from Inventions and Sinfonias, BWV 772-801 34    Sinfonia No. 8 in F Major, BWV 794 (Unedited Studio Session Takes)  ra  wma32  wma128 35    Sinfonia No. 15 in B Minor, BWV 801 (Unedited Studio Session Takes)  ra  wma32  wma128 36    Sinfonia No. 9 in F Minor, BWV 795 (Unedited Studio Session Takes)  ra  wma32  wma128
Buy	Bach: Two and Three Part Inventions and Sinfonias, BWV 772-801 [Expanded Edition] Release Date:  February 24, 2004 Track listing for CD Album (090401)
	1  Invention No. 1 in C Major, BWV 772  ra  wma32  wma32  wma32  wma128 2  Sinfonia No. 1 in C Major, BWV 787  ra  wma32  wma32  wma32  wma128 3  Invention No. 2 in C minor, BWV 773  ra  wma32  wma32  wma32  wma128 4  Sinfonia No. 2 in C minor, BWV 788  ra  wma32  wma32  wma32  wma128 5  Invention No. 5 in E-flat Major, BVW 776  ra  wma32  wma32  wma32  wma128 6  Sinfonia No. 5 in E-flat Major, BWV 791  ra  wma32  wma32  wma32  wma128 7  Invention No. 14 in B-flat Major, BWV 785  ra  wma32  wma32  wma32  wma128 8  Sinfonia No. 14 in B-flat Major, BWV 800  ra  wma32  wma32  wma32  wma128 9  Invention No. 11 in G minor, BWV 782  ra  wma32  wma32  wma32  wma128 10  Sinfonia No. 11 in G minor, BWV 797  ra  wma32  wma32  wma32  wma128 11  Invention No. 10 in G Major, BVW 781  ra  wma32  wma32  wma32  wma128 12  Sinfonia No. 10 in G Major, BWV 796  ra  wma32  wma32  wma32  wma128 13  Invention No. 15 in B minor, BWV 786  ra  wma32  wma32  wma32  wma128 14  Sinfonia No. 15 in B minor, BWV 801  ra  wma32  wma32  wma128 15  Invention No. 7 in E minor, BWV 778  ra  wma32  wma32  wma32  wma128 16  Sinfonia No. 7 in E minor, BWV 793  ra  wma32  wma32  wma32  wma128 17  Invention No. 6 in E Major, BWV 777  ra  wma32  wma32  wma32  wma128 18  Sinfonia No. 6 in E Major, BWV 792  ra  wma32  wma32  wma32  wma128 19  Invention No. 13 in A minor, BWV 784  ra  wma32  wma32  wma32  wma128 20  Sinfonia No. 13 in A minor, BWV 799  ra  wma32  wma32  wma32  wma128 21  Invention No. 12 in A Major, BWV 783  ra  wma32  wma32  wma32  wma128 22  Sinfonia No. 12 in A Major, BWV 798  ra  wma32  wma32  wma32  wma128 23  Invention No. 3 in D Major, BWV 774  ra  wma32  wma32  wma32  wma128 24  Sinfonia No. 3 in D Major, BWV 789  ra  wma32  wma32  wma32  wma128 25  Invention No. 4 in D minor, BWV 775  ra  wma32  wma32  wma32  wma128 26  Sinfonia No. 4 in D minor, BWV 790  ra  wma32  wma32  wma32  wma128 27  Invention No. 8 in F Major, BWV 779  ra  wma32  wma32  wma32  wma128 28  Sinfonia No. 8 in F Major, BWV 794  ra  wma32  wma32  wma32  wma128 29  Invention No. 9 in F minor, BWV 780  ra  wma32  wma32  wma32  wma128 30  Sinfonia No. 9 in F minor, BWV 795  ra  wma32  wma32  wma32  wma128 English Suite No. 1 in A Major, BWV 806  wma32 31    I. Prélude  ra  wma32  wma32  wma128 32    II. Allemande  ra  wma32  wma32  wma32  wma128 33    III. Courante I  ra  wma32  wma32  wma32  wma128 34    IV. Courante II  ra  wma32  wma32  wma32  wma128 35    V. Double I  ra  wma32  wma32  wma32  wma128 36    VI. Double II  ra  wma32  wma32  wma32  wma128 37    VII. Sarabande  ra  wma32  wma32  wma32  wma128 38    VIII. Bourée I  ra  wma32  wma32  wma32  wma128 39    IX. Bourée II (with da capo I)  ra  wma32  wma32  wma32  wma128 40    X. Gigue  ra  wma32  wma32  wma32  wma128
Buy	Bach: Goldberg Variations, BWV 988 (1981 Recording) [Expanded Edition] Release Date:  February 24, 2004 Track listing for CD Album (093070)
	Goldberg Variations, BWV 988 1    Aria  ra  wma32  wma128 2    Variation 1 a 1 Clav.  ra  wma32  wma128 3    Variation 2 a 1 Clav.  ra  wma32  wma128 4    Variation 3 a 1 Clav. Canone all'Unisono  ra  wma32  wma128 5    Variation 4 a 1 Clav.  ra  wma32  wma128 6    Variation 5 a 1 ovvero 2 Clav.  ra  wma32  wma128 7    Variation 6 a 1 Clav. Canone alla Seconda  ra  wma32  wma128 8    Variation 7 a 1 ovvero 2 Clav.  ra  wma32  wma128 9    Variation 8 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 10    Variation 9 a 1 Clav. Canone alla Terza  ra  wma32  wma128 11    Variation 10 a 1 Clav. Fughetta  ra  wma32  wma128 12    Variation 11 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 13    Variation 12 Canone alla Quarta  ra  wma32  wma128 14    Variation 13 a 2 Clav.  ra  wma32  wma128 15    Variation 14 a 2 Clav.  ra  wma32  wma128 16    Variation 15 a 1 Clav. Canone alla Quinta. Andante  ra  wma32  wma128 17    Variation 16 a 1 Clav. Overture  ra  wma32  wma128 18    Variation 17 a 2 Clav.  ra  wma32  wma128 19    Variation 18 a 1 Clav. Canone alla Sesta  ra  wma32  wma128 20    Variation 19 a 1 Clav.  ra  ra  wma32  wma32  wma128  wma128 21    Variation 20 a 2 Clav.  ra  wma32  wma128 22    Variation 21 Canone alla Settima  ra  wma32  wma128 23    Variation 22 a 1 Clav. Alla breve  ra  wma32  wma128 24    Variation 23 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 25    Variation 24 a 1 Clav. Canone all'Ottava  ra  wma32  wma128 26    Variation 25 a 2 Clav.  ra  wma32  wma128 27    Variation 26 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 28    Variation 27 a 2 Clav. Canone alla Nona  ra  wma32  wma128 29    Variation 28 a 2 Clav.  ra  wma32  wma128 30    Variation 29 a 1 ovvero 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 31    Variation 30 a 1 Clav. Quodlibet  ra  wma32  wma128 32    Aria da capo  ra  wma32  wma128 33  Glenn Gould discusses his performances of the "Goldberg Variations" with Tim Page (Excerpt)  ra  wma32  wma128
Buy	Bach: Keyboard Concertos 1, 4 & 5 [Expanded Edition] Release Date:  February 24, 2004 Track listing for CD Album (093089)
	Keyboard Concerto No. 1 in D minor, BWV 1052  wma32 1    I. Allegro  ra  wma32  wma128 2    II. Adagio  ra  wma32  wma128 3    III. Allegro  ra  wma32  wma128 Keyboard Concerto No. 4 in A Major, BWV 1055  wma32 4    I. Allegro  ra  wma32  wma128 5    II. Larghetto  ra  wma32  wma128 6    III. Allegro ma non tanto  ra  wma32  wma128 Concerto for Piano and Orchestra No. 5 in F minor, BWV 1056 (Instrumental)  wma32 7    I. [Allegro]  ra  wma32  wma32  wma128 8    II. Largo  ra  wma32  wma32  wma128 9    III. Presto  ra  wma32  wma32  wma128 Italian Concerto in F Major, BWV 971 (Version of 1959) 10    I. [ ]  ra  wma32  wma128 11    II. Andante  ra  wma32  wma128 12    III. Presto  ra  wma32  wma128 Concerto in D minor after Alessandro Marcello, BWV 974 13    I. [ ]  ra  wma32  wma128 14    II. Adagio  ra  wma32  wma128 15    III. Presto  ra  wma32  wma128
Buy	Bach: Preludes, Fugues and Fughettas - Expanded Edition Release Date:  September 30, 2003 Track listing for CD Album (093016)
	6 Little Preludes, BWV 933-938 (Instrumental) 1    Praeludium in C Major, BWV 933 2    Praeludium in C minor, BWV 934 3    Praeludium in D minor, BWV 935 4    Praeludium in D Major, BWV 936 5    Praeludium in E Major, BWV 937 6    Praeludium in E minor, BWV 938 Prelude and Fughetta in D minor, BWV 899 (Instrumental) 7    Praeludium 8    Fughetta Prelude and Fughetta in G Major, BWV 902, Prelude in G Major to the Fughetta No. 902, BWV 902a (Instrumental) 9    Prelude in G Major, BWV 902 10    Prelude in G Major, BWV 902a 11    Fughetta in G Major, BWV 902 9 Little Preludes, BWV 924-932 (Instrumental) 12    Praeambulum in C Major, BWV 924 13    Praeambulum in F Major, BWV 927  ra  wma32  wma128 14    Prealudium in D minor, BWV 926  ra  wma32  wma128 15    Praeludium in D Major, BWV 925  ra  wma32  wma128 16    Praeludium in F Major, BWV 928  ra  wma32  wma128 17    Praeambulum in G minor, BWV 930 Three Little Fugues from Klavierbuchlein fur Wilhelm Bach (Instrumental) 18    Fugue in C Major, BWV 952  ra  wma32  wma128 19    Fughetta in C minor, BWV 961 20    Fugue in C Major, BWV 953 Prelude and Fugue in A minor, BWV 895 (Instrumental) 21    Praeludium 22    Fuga Prelude and Fughetta in E minor, BWV 900 (Instrumental) 23    Praeludium 24    Fughetta 25  Fugue in B minor on a theme by Tomaso Albinoni, BWV 951 26  Fugue in A major on a theme by Tomaso Albinoni, BWV 950  ra  wma32  wma128 27  Chromatic Fantasy in D minor, BWV 903  ra  wma32  wma128 28  Fantasy in G minor, BWV 917  ra  wma32  wma128 29  Fantasy in C minor, BWV 919  ra  wma32  wma128 30  Fantasy (and Fugue) in C minor, BWV 906  ra  wma32  wma128
Buy	Bach: Goldberg Variations (1955 Version) - Expanded Edition Release Date:  September 30, 2003 Track listing for CD Album (090387)
	Goldberg Variations, BWV 988 (Instrumental) 1    Aria  ra  wma32  wma128 2    Variation 1 a 1 Clav.  ra  wma32  wma128 3    Variation 2 a 1 Clav.  ra  wma32  wma128 4    Variation 3 a 1 Clav. Canone all' Unisuono  ra  ra  wma32  wma32  wma128  wma128 5    Variation 4 a 1 Clav.  ra  wma128 6    Variation 5 a 1 ovvero 2 Clav.  ra  wma32  wma128 7    Variation 6 a 1 Clav. Canone alla Seconda  ra  wma32  wma128 8    Variation 7 a 1 ovvero 2 Clav.  ra  wma32  wma128 9    Variation 8 a 2 Clav.  ra  wma32  wma128 10    Variation 9 a 1 Clav. Canone alla Terza  ra  ra  wma32  wma32  wma128  wma128 11    Variation 10 a 1 Clav. Fughetta  ra  ra  wma32  wma32  wma128  wma128 12    Variation 11 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 13    Variation 12 Canone alla Quarta  ra  ra  wma32  wma32  wma128  wma128 14    Variation 13 a 2 Clav.  ra  wma32  wma128 15    Variation 14 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 16    Variation 15 a 1 Clav. Canone alla Quinta. Andante  ra  wma32  wma128 17    Variation 16 Ouverture a 1 Clav.  ra  wma32  wma128 18    Variation 17 a 2 Clav.  ra  wma32  wma128 19    Variation 18 - Canone alla Sesta a 1 Clav.  ra  wma32  wma128 20    Variation 19 a 1 Clav.  ra  ra  wma32  wma32  wma128  wma128 21    Variation 20 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 22    Variation 21 Canone alla Settima  ra  wma32  wma128 23    Variation 22 Alla breve a 1 Clav.  ra  wma32  wma128 24    Variation 23 a 2 Clav.  ra  wma32  wma128 25    Variation 24 Canone all' Ottava a 1 Clav.  ra  ra  wma32  wma32  wma128  wma128 26    Variation 25 a 2 Clav.  ra  wma32  wma128 27    Variation 26 a 2 Clav.  ra  wma32  wma128 28    Variation 27 Canone alla Nona  ra  ra  wma32  wma32  wma128  wma128 29    Variation 28 a 2 Clav.  ra  ra  wma32  wma32  wma128  wma128 30    Variation 29 a 1 ovvero 2 Clav.  ra  wma32  wma128 31    Variation 30 a 1 Clav. Quodlibet  ra  wma32  wma128 32    Aria da capo  ra  wma32  wma128 The Well-Tempered Clavier, Book II (Instrumental) 33    Fugue in F-sharp minor, BWV 883  ra  wma32  wma128 34    Fugue in E Major, BWV 878  ra  wma32  wma128 35  Studio Outakes from the 1955 Goldberg Variations  ra  wma32  wma128
Buy	Bach: English Suites, BWV 809 - 811, Volume 2 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087766)
	English Suite No. 4 in F Major, BWV 809 1    I. Prélude  ra  wma32  wma128 2    II. Allemande  ra  wma32  wma128 3    III. Courante  ra  wma32  wma128 4    IV. Sarabande  ra  wma32  wma128 5    V. Menuett I  ra  wma32  wma128 6    VI. Menuett II (with da capo I)  ra  wma32  wma128 7    VII. Gigue  ra  wma32  wma128 English Suite No. 5 in E minor, BWV 810 (Instrumental) 8    I. Prélude  ra  wma32  wma128 9    II. Allemande  ra  wma32  wma128 10    III. Courante  ra  wma32  wma128 11    IV. Sarabande  ra  wma32  wma128 12    V. Passepied I (en Rondeau)  ra  wma32  wma128 13    VI. Passepied II (with da capo I)  ra  wma32  wma128 14    VII. Gigue  ra  wma32  wma128 English Suite No. 6 in D minor, BWV 811 (Instrumental) 15    I. Prélude  ra  wma32  wma128 16    II. Allemande  ra  wma32  wma128 17    III. Courante  ra  wma32  wma128 18    IV. Sarabande  ra  wma32  wma128 19    V. Double  ra  wma32  wma128 20    VI. Gavotte I  ra  wma32  wma128 21    VII. Gavotte II (with da capo I)  ra  wma32  wma128 22    VIII. Gigue  ra  wma32  wma128
Buy	Bach: French Suites, BWV 812-817 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087764)
	French Suite No. 1 in D minor, BWV 812 (Instrumental) 1    I. Allemande  ra  wma32  wma128 2    II. Courante  ra  wma32  wma128 3    III. Sarabande  ra  wma32  wma128 4    IV. Menuett I  ra  wma32  wma128 5    V. Menuett II  ra  wma32  wma128 6    VI. Gigue  ra  wma32  wma128 French Suite No. 2 in C minor, BWV 813 (Instrumental)  wma32 7    I. Allemande  ra  wma32  wma32  wma128 8    II. Courante  ra  ra  wma32  wma32  wma32  wma128  wma128 9    III. Sarabande  ra  wma32  wma32  wma128 10    IV. Air  ra  ra  wma32  wma32  wma32  wma128  wma128 11    V. Menuett  ra  wma32  wma32  wma128 12    VI. Gigue  ra  wma32  wma32  wma128 French Suite No. 3 in B minor, BWV 814 (Instrumental) 13    I. Allemande  ra  wma32  wma128 14    II. Courante  ra  wma32  wma128 15    III. Sarabande  ra  wma32  wma128 16    IV. Menuett - Trio  ra  wma32  wma128 17    V. Anglaise  ra  wma32  wma128 18    VI. Gigue  ra  wma32  wma128 French Suite No. 4 in E-flat Major, BWV 815 (Instrumental) 19    I. Allemande  ra  wma32  wma128 20    II. Courante  ra  wma32  wma128 21    III. Sarabande  ra  wma32  wma128 22    IV. Menuett, BWV 815a  ra  wma32  wma128 23    V. Gavotte  ra  wma32  wma128 24    VI. Air  ra  ra  wma32  wma32  wma128  wma128 25    VII. Gigue  ra  wma32  wma128 French Suite No. 5 in G Major, BWV 816 (Instrumental) 26    I. Allemande  ra  wma32  wma128 27    II. Courante  ra  wma32  wma128 28    III. Sarabande  ra  wma32  wma128 29    IV. Gavotte  ra  wma32  wma128 30    V. Bourée  ra  ra  wma32  wma32  wma128  wma128 31    VI. Loure  ra  ra  wma32  wma32  wma128  wma128 32    VII. Gigue  ra  wma32  wma128 French Suite No. 6 in E Major, BWV 817 (Instrumental) 33    I. Allemande  ra  wma32  wma128 34    II. Courante  ra  wma32  wma128 35    III. Sarabande  ra  wma32  wma128 36    IV. Gavotte  ra  wma32  wma128 37    V. Polonaise  ra  ra  wma32  wma32  wma128  wma128 38    VI. Menuett  ra  wma32  wma128 39    VII. Bourée  ra  wma32  wma128 40    VIII. Gigue  ra  wma32  wma128
Buy	Bach: Toccatas, BWV 910 - 913, Volume 1 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087762)
	1  Toccata in D Major, BWV 912 (Instrumental)  ra  wma32  wma128 2  Toccata in F-sharp minor, BWV 910 (Instrumental)  ra  wma32  wma128 3  Toccata in D minor, BWV 913 (Instrumental)  ra  wma32  wma128 4  Toccata in C minor, BWV 911 (Instrumental)  ra  wma32  wma128
Buy	Bach: Toccatas, BWV 914 - 916, Volume 2 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087763)
	1  Toccata in G minor, BWV 915 (Instrumental)  ra  wma32  wma128 2  Toccata in G Major, BWV 916 (Instrumental)  ra  wma32  wma128 3  Toccata in E minor, BWV 914 (Instrumental)  ra  wma32  wma128 Overture in the French Style, BWV 831 (Instrumental) 4    I. Ouverture  ra  wma32  wma128 5    II. Courante  ra  wma32  wma128 6    III. Gavotte I  ra  wma32  wma128 7    IV. Gavotte II (with da capo I)  ra  wma32  wma128 8    V. Passepied I  ra  wma32  wma128 9    VI. Passepied II (with da capo I)  ra  wma32  wma128 10    VII. Sarabande  ra  wma32  wma128 11    VIII. Bourée I  ra  wma32  wma128 12    IX. Bourée II (with da capo I)  ra  wma32  wma128 13    X. Gigue  ra  wma32  wma128 14    XI. Echo  ra  wma32  wma128
Buy	Bach: Keyboard Concertos Nos. 1, 4 & 5 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087760)
	Keyboard Concerto No. 1 in D minor, BWV 1052  wma32 1    I. Allegro  ra  wma32  wma128 2    II. Adagio  ra  ra  wma32  wma32  wma128  wma128 3    III. Allegro  ra  ra  wma32  wma32  wma128  wma128 Keyboard Concerto No. 4 in A Major, BWV 1055  wma32 4    I. Allegro  ra  wma32  wma128 5    II. Larghetto  ra  wma32  wma32  wma128 6    III. Allegro ma non tanto  ra  wma32  wma32  wma128 Concerto for Piano and Orchestra No. 5 in F minor, BWV 1056 (Instrumental)  wma32 7    I. [Allegro]  ra  wma32  wma32  wma128 8    II. Largo  ra  wma32  wma32  wma128 9    III. Presto  ra  wma32  wma32  wma128
Buy	Bach: Partitas, BWV 825-827, Volume 1 (Glenn Gould - The Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087767)
	Partita No. 1 in B-flat Major, BWV 825 (Instrumental) 1    I. Praeludium  ra  wma32  wma128 2    II. Allemande  ra  wma32  wma128 3    III. Corrente  ra  wma32  wma128 4    IV. Sarabande  ra  wma32  wma128 5    V. Menuet I & II  ra  wma32  wma128 6    VI. Giga  ra  wma32  wma128 Partita No. 2 in C minor, BWV 826 7    I. Sinfonia  ra  wma32  wma128 8    II. Allemande  ra  wma32  wma128 9    III. Courante  ra  wma32  wma128 10    IV. Sarabande  ra  wma32  wma128 11    V. Rondeaux  ra  wma32  wma128 12    VI. Capriccio  ra  wma32  wma128 Partita No. 3 in A minor, BWV 827 (Instrumental) 13    I. Fantaisie  ra  wma32  wma128 14    II. Allemande  ra  wma32  wma128 15    III. Courante  ra  wma32  wma128 16    IV. Sarabande  ra  wma32  wma128 17    V. Burlesca  ra  wma32  wma128 18    VI. Scherzo  ra  wma32  wma128 19    VII. Gigue  ra  wma32  wma128 6 Little Preludes, BWV 933-938 (Instrumental) 20    Praeludium in C Major, BWV 933  ra  wma32  wma128 21    Praeludium in C minor, BWV 934  ra  wma32  wma128 22    Praeludium in D minor, BWV 935  ra  wma32  wma128 23    Praeludium in D Major, BWV 936  ra  wma32  wma128 24    Praeludium in E Major, BWV 937  ra  wma32  wma128 25    Praeludium in E minor, BWV 938  ra  wma32  wma128 Prelude and Fughetta in D minor, BWV 899 (Instrumental) 26    Praeludium  ra  wma32  wma128 27    Fughetta  ra  wma32  wma128 Prelude and Fughetta in G Major, BWV 902, Prelude in G Major to the Fughetta No. 902, BWV 902a (Instrumental) 28    Prelude in G Major, BWV 902  ra  wma32  wma128 29    Prelude in G Major, BWV 902a  ra  wma32  wma128 30    Fughetta in G Major, BWV 902  ra  wma32  wma128 Three Little Fugues from Klavierbuchlein fur Wilhelm Bach (Instrumental) 31    Fugue in C Major, BWV 952  ra  wma32  wma128 32    Fughetta in C minor, BWV 961  ra  wma32  wma128 33    Fugue in C Major, BWV 953  ra  wma32  wma128 Prelude and Fugue in A minor, BWV 895 (Instrumental) 34    Praeludium  ra  wma32  wma128 35    Fuga  ra  wma32  wma128 Prelude and Fughetta in E minor, BWV 900 (Instrumental) 36    Praeludium  ra  wma32  wma128 37    Fughetta  ra  wma32  wma128
Buy	Bach: Keyboard Concertos Nos. 2, 3 & 7 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087761)
	Keyboard Concerto No. 2 in E Major, BWV 1053  wma32 1    I. [Allegro]  ra  wma32  wma128 2    II. Siciliano  ra  wma32  wma128 3    III. Allegro  ra  wma32  wma128 Keyboard Concerto No. 3 in D Major, BWV 1054 (Instrumental) 4    I. (Allegro)  ra  wma32  wma128 5    II. Adagio e piano sempre  ra  wma32  wma32  wma128 6    III. Allegro  ra  wma32  wma32  wma128 Keyboard Concerto No. 7 in G minor, BWV 1058  wma32 7    I. (Allegro)  ra  wma32  wma128 8    II. Andante  ra  wma32  wma128 9    III. Allegro assai  ra  wma32  wma128
Buy	Bach: Two and Three Part Inventions and Sinfonias, BWV 772-801 (Glenn Gould Anniversary Edition) Release Date:  September 03, 2002 Track listing for CD Album (087754)
	1  Invention No. 1 in C Major, BWV 772  ra  wma32  wma32  wma128 2  Sinfonia No. 1 in C Major, BWV 787  ra  wma32  wma32  wma128 3  Invention No. 2 in C minor, BWV 773  ra  wma32  wma32  wma128 4  Sinfonia No. 2 in C minor, BWV 788  ra  wma32  wma32  wma128 5  Invention No. 5 in E-flat Major, BVW 776  ra  wma32  wma32  wma128 6  Sinfonia No. 5 in E-flat Major, BWV 791  ra  wma32  wma32  wma128 7  Invention No. 14 in B-flat Major, BWV 785  ra  wma32  wma32  wma128 8  Sinfonia No. 14 in B-flat Major, BWV 800  ra  ra  wma32  wma32  wma32  wma128  wma128 9  Invention No. 11 in G minor, BWV 782  ra  wma32  wma32  wma128 10  Sinfonia No. 11 in G minor, BWV 797  ra  wma32  wma32  wma128 11  Invention No. 10 in G Major, BVW 781  ra  wma32  wma32  wma128 12  Sinfonia No. 10 in G Major, BWV 796  ra  ra  wma32  wma32  wma32  wma128  wma128 13  Invention No. 15 in B minor, BWV 786  ra  wma32  wma32  wma128 14  Sinfonia No. 15 in B minor, BWV 801  ra  ra  wma32  wma32  wma32  wma128  wma128 15  Invention No. 7 in E minor, BWV 778  ra  ra  wma32  wma32  wma32  wma128  wma128 16  Sinfonia No. 7 in E minor, BWV 793  ra  wma32  wma32  wma128 17  Invention No. 6 in E Major, BWV 777  ra  wma32  wma32  wma128 18  Sinfonia No. 6 in E Major, BWV 792  ra  ra  wma32  wma32  wma32  wma128  wma128 19  Invention No. 13 in A minor, BWV 784  ra  ra  wma32  wma32  wma32  wma128  wma128 20  Sinfonia No. 13 in A minor, BWV 799  ra  wma32  wma32  wma128 21  Invention No. 12 in A Major, BWV 783  ra  ra  wma32  wma32  wma32  wma128  wma128 22  Sinfonia No. 12 in A Major, BWV 798  ra  ra  wma32  wma32  wma32  wma128  wma128 23  Invention No. 3 in D Major, BWV 774  ra  ra  wma32  wma32  wma32  wma128  wma128 24  Sinfonia No. 3 in D Major, BWV 789  ra  wma32  wma32  wma128 25  Invention No. 4 in D minor, BWV 775  ra  ra  wma32  wma32  wma32  wma128  wma128 26  Sinfonia No. 4 in D minor, BWV 790  ra  wma32  wma32  wma128 27  Invention No. 8 in F Major, BWV 779  ra  ra  wma32  wma32  wma32  wma128  wma128 28  Sinfonia No. 8 in F Major, BWV 794  ra  ra  wma32  wma32  wma32  wma128  wma128 29  Invention No. 9 in F minor, BWV 780  ra  wma32  wma32  wma128 30  Sinfonia No. 9 in F minor, BWV 795  ra  wma32  wma32  wma128
Buy	Glenn Gould at the Movies Release Date:  September 14, 1999 Track listing for CD Album (066531)
	Concerto for Piano and Orchestra No. 5 in F minor, BWV 1056 (Instrumental) 1    I. [Allegro]  ra  wma32  wma128 2    II. Largo  ra  wma32  wma128 3    III. Presto  ra  wma32  wma128 Goldberg Variations, BWV 988 (Excerpts) 4    Variatio 18 a 1 Clav. Canone alla Sesta  ra  wma32  wma128 5    Variatio 25 a 2 Clav.  ra  wma32  wma128 6  III. Presto from Brandenburg Concerto No. 4 in G Major, BWV 1049 (Excerpt)  ra  wma32  wma128 Keyboard Concerto No. 3 in D Major, BWV 1054 (Instrumental) 7    I. (Allegro)  ra  wma32  wma128 8    II. Adagio e piano sempre  ra  wma32  wma32  wma128 9    III. Allegro  ra  wma32  wma32  wma128 10  3. Largo from Funf Klavierstucke, Op. 3  ra  wma32  wma128 11  Intermezzo No. 1 in E-flat Major, Op. 117 - Andante moderato  ra  wma32  wma32  wma128 12  Intermezzo No. 6 in E-flat minor, Op. 118 - Andante, largo e mesto (Instrumental)  ra  wma32  wma128 13  I. Prelude from English Suite No. 5 in E minor, BWV 810 (Excerpt)  ra  wma32  wma128 14  Sonatine No. 2 for Piano in E Major, Op. 67  ra  wma32  wma128 15  No. 1: Désir from Deux Morceaux, Op. 57  ra  wma32  wma128 16  Prelude from Prelude & Fugue No. 1 in C Major, BWV 846  ra  wma32  wma128 17  Contrapunctus IX (a 4, alla Duodecima) from The Art of the Fugue, BWV 1080  ra  wma32  wma128
Buy	Bach: Toccatas, BWV 910-916 Release Date:  April 19, 1994 Track listing for CD Album (052612)
	SIDE 1 1  Toccata in D Major, BWV 912 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128 2  Toccata in F-sharp minor, BWV 910 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128 3  Toccata in D minor, BWV 913 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128 SIDE 2 1  Toccata in C minor, BWV 911 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128 2  Toccata in G minor, BWV 915 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128 3  Toccata in G Major, BWV 916 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128 4  Toccata in E minor, BWV 914 (Instrumental)  ra  ra  wma32  wma32  wma128  wma128
Buy	Symphony No. 5 & First Movement of Symphony No. 6 Transcribed for Piano by Franz Liszt (1811-1886) Release Date:  October 20, 1992 Track listing for CD Album (052636)
	Symphony No. 5 in C minor, Op. 67 (Instrumental) 1    I. Allegro con brio  ra  wma32  wma128 2    II. Andante con moto  ra  wma32  wma128 3    III. Allegro  ra  wma32  wma128 4    IV. Allegro  ra  wma32  wma128 5  I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande Allegro ma non troppo from Symphony No. 6 in F Major, Op. 68 "Pastoral"  ra  wma32  wma128

Videography

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FINE ART

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FURTHER READING

By Gould

The Glenn Gould Reader, ed. Tim Page (1984) [essays, liner notes, radio and TV commentary, reviews, lectures, interviews, humour]. Editions of this and other collections of Gould writings in French (1983-6), Danish (1984), German (2 vols., 1986-7), Finnish (1988), Italian (1988, 1989, 1993, 1998), Spanish (1989), Dutch (1990), Japanese (1990, 2001), Swedish (1998), Hungarian (2004), and Russian (2006).

Glenn Gould: Selected Letters, ed. John P. L. Roberts and Ghyslaine Guertin (1992). Editions in French (1992), Danish (1993), Italian (1994), German (1997), and Japanese (1999). A second volume of letters is forthcoming in 2008.

La série Schönberg, compiled and ed. Ghyslaine Guertin, trans. Caroline Guindon, notes by Ghyslaine Guertin and Stéphane Roy (1998) [scripts for 1974 radio series]. Edition in Italian (2001).

The Art of Glenn Gould: Reflections of a Musical Genius, ed. John P. L. Roberts (1999) [essays, program and liner notes, radio and TV commentary, lectures, interviews].

Guren Gurudo: Kawade yume mukku (2000) [Gould on Bach].

Journal d'une crise, suivi de Correspondance de concert, trans. and ed. Bruno Monsaingeon (2002) [hand-related diaries (1977-8) and letters from the concert years].

Cott, Jonathan. Conversations with Glenn Gould (1984, 2005); based on an interview originally published in Rolling Stone, August 15 and 29, 1974. Editions in French (1983), German (1987, 1995, 2005, 2007), and Japanese (1990).

About Gould

Payzant, Geoffrey. Glenn Gould, Music and Mind (1978, 1984). Editions in Japanese (1981, 2007), French (1983), Finnish (1988), and Polish (1995).

Bulletin of the Glenn Gould Society [Groningen, The Netherlands] (semi-annual, 1982-92).

McGreevy, John, ed. Glenn Gould: Variations, by Himself and His Friends (1983). Edition in Japanese (1986).

Matheis, Wera. Glenn Gould: der Unheilige am Klavier (1987).

Guertin, Ghyslaine, ed. Glenn Gould, pluriel (1988, 2008) [proceedings of a colloquium, Montreal, October 13-15, 1987]. Editions in Japanese (1991), Chinese (1994), Russian (2005), and English (forthcoming in 2008). A revised French edition is also forthcoming in 2008.

Schneider, Michel. Glenn Gould, piano solo: Aria et trente variations (1988, 1994). Editions in Italian (1991) and Japanese (1991).

Friedrich, Otto. Glenn Gould: A Life and Variations (1989) [incl. discography and lists of writings, concerts, and broadcasts]. Editions in German (1991), Japanese (1992, 2002), Portuguese (2000), and Hungarian (2002).

Gould, Glenn, et. al., Glenn Gould (1989) [anthology].

Kazdin, Andrew. Glenn Gould At Work: Creative Lying (1989) [incl. discography]. Editions in German (1990) and Japanese (1993).

Hagestedt, Jens. Wie spielt Glenn Gould? Zu einer Theorie der Interpretation (1991).

Monsaingeon, Bruno, et. al. Glenn Gould daikenkyu (1991) [anthology].

Angilette, Elizabeth. Philosopher at the Keyboard: Glenn Gould (1992, 2001).

Canning, Nancy. A Glenn Gould Catalog (1992) [discography; incl. lists of musical repertoire and writings].

National Library of Canada. Glenn Gould: Descriptive Catalogue of the Glenn Gould Papers/Catalogue raisonné du Fonds Glenn Gould, ed. Ruth Pincoe and Stephen C. Willis, 2 vols. (1992) [incl. chronology, bibliography, discography, and lists of writings, compositions, concerts, radio and TV broadcasts, and films].

Stegemann, Michael. Glenn Gould: Leben und Werk (1992, 2007) [incl. bibliography, discography, and lists of broadcasts, films, and concert repertory].

Carroll, Jock. Glenn Gould: Some Portraits of the Artist as a Young Man (1995) [photographs]. Editions in German (1995) and Japanese (1995).

Csampai, Attila. Glenn Gould: Photographische Suiten (1995). Edition in Japanese (1998, 2004).

GlennGould [Glenn Gould Foundation, Toronto] (semi-annual, 1995-present).

Bazzana, Kevin. Glenn Gould: The Performer in the Work (1997). Editions in Japanese (2000) and German (2001).

Laborde, Denis. De Jean-Sébastien Bach à Glenn Gould: Magie des sons et spectacle de la passion (1997).

Ostwald, Peter F. Glenn Gould: The Ecstasy and Tragedy of Genius (1997). Editions in Japanese (2000) and French (2003).

Rieger, Stefan. Glenn Gould czyli Sztuka fugi (1997).

Sugita, Atsushi. Rihita, Gurudo, Berunharuto (1998).

Yang, Yandi. Gu du yu chao yue: gang qin guai jie Guerde zhuan (1998).

Yokota, Shoichiro. "Kusamakura" hensokyoku: Natsume Soseki to Guren Gurudo (1998).

Bergman, Rhona. The Idea of Gould (1999).

Gennaro, Carmelo di. Glenn Gould: L'immaginazione al pianoforte (1999).

Roy, Lynette. Glenn Gould: The Genius and His Music—A Biography for Young People, Canadian Heroes Series (1999) [for Grades 6-8].

Suzuki, Yasuo. Kita no hito, Guren Gurudo (1999).

Yokota, Shoichiro, ed. Soseki to Gurudo: Hachinin no kusamakura kyosokyoku (1999).

Smith, J. D., ed. Northern Music: Poems About and Inspired by Glenn Gould (2001).

Tonaka, Yukitoshi. Guren Gurudo to issho ni Shenberugu o kikou (2001).

Estate of Glenn Gould, ed. Malcolm Lester. Glenn Gould: A Life in Pictures (2002). Editions in French (2002), German (2002) and Japanese (2002).

Rasmussen, Karl Aage. Den kreative lo/gn: 12 kapitler om Glenn Gould (2002).

Bazzana, Kevin. Wondrous Strange: The Life and Art of Glenn Gould (2003). Editions in French (2004, 2005), Italian (2004), German (2006), Spanish (2007), Russian (2007), Japanese (forthcoming in 2008), and Chinese (Taiwanese and mainland editions, both forthcoming in 2008).

Konieczny, Vladimir: Struggling for Perfection: The Story of Glenn Gould (2004) [biography for children 9-12]. Rev. ed. for teenage readers forthcoming.

Miyazawa, Junichi. Guren Gurudo ron (2004).

Internet links

Library and Archives Canada, Glenn Gould Archive, home: www.collectionscanada.ca/glenngould/

Library and Archives Canada, Glenn Gould Archive, "Radio Broadcasts": www.collectionscanada.ca/4/23/m23-501.3-e.html

Library and Archives Canada, Glenn Gould Archive, "Bibliography of Articles from Journals and Periodicals": www.collectionscanada.ca/4/23/m23-501.2-e.html

GlennGould, Glenn Gould Foundation Journal, contents of back issues: www.glenngould.ca/index.nn.html

The Glenn Gould Performance Database, compiled by the Multimedia Library: www.multimedialibrary.com/Music/Gould/index.asp

Glenn Gould: The Recordings, compiled by Marius Coomans: glenn.coomans.com/

F_Minor (mailing list): www.rci.rutgers.edu/~mwatts/glenn/fminor.html

Encyclopedia of Music in Canada, Glenn Gould www.thecanadianencyclopedia.com/

prepared by Kevin Bazzana

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